TOO MUCH (Bassline) As recorded by Elvis Presley (From the 1958 Album ELVIS' GOLDEN RECORDS) Words and Music by Lee Rosenberg & Bernie Weinman Transcribed by Slowhand (http://www.instantpowertabs.de.vu) Gtr I (Eb Ab Db Gb) – 'Bill Black – Bass' Intro Q=120(8=s8) 4/4 Gtr I Q Q Q Q Q Q Q Q Q Q Q Q |–––––––4––6––|–––––––2––4––|–––––––––––––| |–2––6––––––––|–0––4––––––––|–––––––2––4––| |–––––––––––––|–––––––––––––|–0––4––––––––| |–––––––––––––|–––––––––––––|–––––––––––––| 1st – 5th Verses $ E E E E Q q Q Q Q Q Q Q Q Q Q Q Q Q |–2–––––2–––––––||––2–––––––––––|–2–––––––––––|––––––––––––––| |––––––––––––2––||o––––4––2––4––|––––4––2–––––|–––––––2––4–––| |–––––––––––––––||o–––––––––––––|––––––––––4––|–0––4–––––––––| |–––––––––––––––||––––––––––––––|–––––––––––––|––––––––––––––| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |–2–––––––––––|–––––––2––4––|–5––4––2–––––|–2––––––––––––| |––––4––2–––––|–0––4––––––––|––––––––––4––|–––––––2––4–––| |––––––––––4––|–––––––––––––|–––––––––––––|––––4–––––––––| |–––––––––––––|–––––––––––––|–––––––––––––|––––––––––––––| To Coda Q Q Q E E Q Q Q Q Q Q Q Q Q Q Q Q |–2––––––––––––|––––1––4––6––|–––––––2––4––|–2––––––––––––| |––––4––2––––––|–2–––––––––––|–0––4––––––––|–––––––2––4–––| |––––––––––4–––|–––––––––––––|–––––––––––––|––––4–––––––––| |––––––––––––––|–––––––––––––|–––––––––––––|––––––––––––––| 1.,2.,D.S. 3. E E E E Q Q 3x Q Q Q Q |–2–––––2––––––––||–2–––––––––––|| |––––––––––––2––o||––––4––2––4––|| |–––––––––––––––o||–––––––––––––|| |––––––––––––––––||–––––––––––––|| Guitar Solo Q Q E e Q Q Q Q Q E e Q E e Q |–2––––––––––––|–2–––––2–––––|–2–2––––2–2––––––| |––––4––2–2–4––|––––4–––––4––|–––––4––––––4––––| |––––––––––––––|–––––––––––––|–––––––––––––––––| |––––––––––––––|–––––––––––––|–––––––––––––––––| Q Q Q Q Q Q Q Q Q Q Q Q E e Q E e Q |–2–––––––––––|–––––––2––4––|–5––4––2–––––|–2–2––––2–2–––––| |––––4––2––4––|–0––4––––––––|––––––––––4––|–––––4––––––4–––| |–––––––––––––|–––––––––––––|–––––––––––––|––––––––––––––––| |–––––––––––––|–––––––––––––|–––––––––––––|––––––––––––––––| E e Q E e Q Q Q Q Q Q Q Q Q |–2–2––––––2–2––|––––1––4––6––|–––––––2––4––| |–––––4––2––––––|–2–––––––––––|–0––4––––––––| |–––––––––––––––|–––––––––––––|–––––––––––––| |–––––––––––––––|–––––––––––––|–––––––––––––| D.S. al Coda & Q Q Q Q E E E E H q Q H |–2–––––––––––|–2–––––2\––––––||––––––––––––*| |–––––––2––4––|–––––––––––––––||–7––––––––––*| |––––4––––––––|–––––––––––––––||––––––––––––*| |–––––––––––––|–––––––––––––––||––––––––––––*| Duration Legend ––––––––––––––– W – whole; H – half; Q – quarter; E – 8th; S – 16th; T – 32nd; X – 64th; a – acciaccatura + – note tied to previous; . – note dotted; .. – note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi– bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend –––––––––––––––– h – hammer–on p – pull–off b – bend pb – pre–bend r – bend release (if no number after the r, then release immediately) /\ – slide into or out of (from/to "nowhere") s – legato slide S – shift slide – natural harmonic [n] – artificial harmonic n(n) – tapped harmonic ~ – vibrato tr – trill T – tap TP – trem. picking PM – palm muting \n/ – tremolo bar dip; n = amount to dip \n – tremolo bar down n/ – tremolo bar up /n\ – tremolo bar inverted dip = – hold bend; also acts as connecting device for hammers/pulls <> – volume swell (louder/softer) x – on rhythm slash represents muted slash o – on rhythm slash represents single note slash Misc Legend ––––––––––– | – bar || – double bar ||o – repeat start o|| – repeat end *| – double bar (ending) : – bar (freetime) $ – Segno & – Coda Tempo markers – = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths