STREET FIGHTING MAN (Bassline)

As recorded by The Rolling Stones
(From the 1968 Album BEGGARS BANQUET)

Words and Music by Mick Jagger & Keith Richards
Transcribed by Slowhand


Gtr I (E A D G) - 'Keith Richards - Bass'


 Intro
  Q=132
 4/4
  Gtr I
  Wx5
|--------|
|--------|
|--------|
|--------|


                                                         1st - 3rd Verses
                                                      $
  E E E E E E E E   E E E E E E E E   E E E E E E E E     E E E E E E E E
|-----------------|-----------------|-----------------||------------------|
|-----------------|-----------------|-----------------||o-----------------|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-||o-2-2-2-2-2-2-2-2-|
|-----------------|-----------------|-----------------||------------------|


  E E E E E E E E   Q  E E E E E E   +E  E Q  E E E E   E E E E E E E E
|-----------------|----------------|------------------|-----------------|
|-----------------|-2----2-2-2---2-|-(2)-2-1----------|---------------2-|
|-2-2-2-2-2-2-2-2-|----2-------2---|----------2-2-2-2-|-2-2-2-2-2-2-2---|
|-----------------|----------------|------------------|-----------------|


  +Q   Q  E E E E   +Q   Q  E E E E   +Q   Q  E E E E   +E  E Q  E E E E
|-----------------|-----------------|-----------------|------------------|
|-(2)-----2-2---2-|-(2)-----2-2---2-|-(2)-----2-2---2-|-(2)-2-1----------|
|------2------2---|------2------2---|------2------2---|----------2-2-2-2-|
|-----------------|-----------------|-----------------|------------------|


                    Chorus
  E E E E E E E E    +E  E E E E E E E   +E  E E E E E E E   +E  E E E E E E E
|-----------------||-------------------|-------------------|-------------------|
|-----------------||-------------------|-------------------|-------------------|
|-2-2-2-2-2-------||-------------------|-------------------|-------------------|
|-----------0-1-2-||-(2)-2-2---2-2-2-2-|-(2)-2-2---2-2-2-2-|-(2)-2-2---2-2-2-2-|


  +E  E E E E E E E   +E  E E E E E E E
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-(2)-2-2---2-0-1-2-|-(2)-2-2---2-0-1-2-|


  +E  E E E E E E E   +E  E E E E E E E
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-----------0-2-3-4-|
|-(2)-2-2-----0-1-2-|-(2)-2-2-2---------|


                                                         1.
                                                To Coda
  +Q   Q  E E E E   +E  Q  E E E E E   E E E E E E E E    +E  Q  E E E E E
|---------------6-|-(6)-4------------|---------------6--|-(6)-4------------|
|-----------------|--------6-4-2-2---|------------------|--------6-4-2-2-2-|
|-(4)--4--4-4-4---|----------------4-|-4-4-4-4-4-4-4----|------------------|
|-----------------|------------------|------------------|------------------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------o||
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-o||
|-----------------|-----------------|------------------||


  2.
  E Q  E E E E E   +Q   Q  E E E E   +E  Q  E E E E E   E E E E E E E E
|-6-4----------6-|-(6)--6--6-6-6-6-|-(6)-4------------|---------------6-|
|------6-4-2-2---|-----------------|--------6-4-2-2---|-----------------|
|----------------|-----------------|----------------4-|-4-4-4-4-4-4-4---|
|----------------|-----------------|------------------|-----------------|


                     Interlude
                                                              D.S. al Coda
  +E  Q  E E E E E    E E E E E E E E   E E E E E E E E   E E E E E E E E
|-(6)-4------------||-----------------|-----------------|------------------||
|--------6-4-2-2-2-||-----------------|-----------------|---------------2--||
|------------------||-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2----||
|------------------||-----------------|-----------------|------------------||


                  Outro
  &
  E Q  E E Q.      E E E E E E E E   E E E E E E E E   E E E E E E E E
|-6-4-----------||-----------------|-----------------|-----------------|
|------6-4-2----||-----------------|-----------------|-4-4-4-4-4-4-4-4-|
|---------------||-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-----------------|
|---------------||-----------------|-----------------|-----------------|


  E E E E E E E E   Q  Q  E E E E   +E  Q  E E E E E   Q  Q  E E E E
|-----------------|-------------6-|-(6)-4------------|---------------|
|-4-4-4-4-4-4-4-4-|---------------|--------6-4-2-2---|---------------|
|-----------------|-4--4--4-4-4---|----------------4-|-4--4--4-4-4-4-|
|-----------------|---------------|------------------|---------------|


  Q  Q  E E E E   +Q   Q  E E E E   +Q   Q  +E  E E E   E E E E E E E E
|---------------|-----------------|-------------------|-----------------|
|---------------|-----------------|-------------------|-----------------|
|-4--4--4-4-4-4-|-(4)--4--4-4-4-4-|-(4)--4--(4)-2-2-3-|-4-4-4-4-4-4-4-4-|
|---------------|-----------------|-------------------|-----------------|


  E E Q  E E E E   +E  Q  E E E E E   Q  Q  E E E E   +E  Q  E E E E E
|--------------6-|-(6)-4------------|-------------6-|-(6)-4----------6-|
|----------------|--------6-4-2-2---|---------------|--------6-4-2-2---|
|-4-4-4--4-4-4---|----------------4-|-4--4--4-4-4---|------------------|
|----------------|------------------|---------------|------------------|


  +H..       E   +E  Q  E E Q  E   E E E E E E E E   E E E E E E E E
|-(6)--------6-|-(6)-4-----------|-----------------|-----------------|
|--------------|--------6-4-2--2-|-----------------|-----------------|
|--------------|-----------------|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|
|--------------|-----------------|-----------------|-----------------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------*|
|-----------------|-----------------|-----------------|-----------------*|
|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-*|
|-----------------|-----------------|-----------------|-----------------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths