#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

WITH THIS EYES (Bassline)
As recorded by Pretty Maids
(From the 1999 Album ANYTHING WORTH DOING IS WORTH OVERDOING)


	

Words and Music by Ronnie Atkins & Ken Hammer

Gtr I (E A D G) - 'Bass'

 4/4
  Gtr I
  W          W          W          H    Q  E S S
|----------|----------|----------|---------------|
|----------|----------|----------|-----------3-2-|
|----------|----------|----------|---------------|
|----------|----------|----------|---------------|


  H    H      W          W          H    Q  E S S
|-----------|----------|----------|----------------|
|-0---------|----------|----------|-----------3-2--|
|-----------|----------|----------|----------------|
|-----------|----------|----------|----------------|


  H    H      W          W          H    Q.   S S
|-----------|----------|----------|------0----0-2--|
|-0---------|----------|----------|----------------|
|-----------|----------|----------|----------------|
|-----------|----------|----------|----------------|


  Q.   E Q  E E   Q.   E Q  E E   Q.   E Q  E E   H    +Q.   E
|---------------|---------------|---------------|--------------|
|-3----3----3-3-|---------------|-3----3----3-3-|--------------|
|---------------|-3----3----3-3-|---------------|-1----(1)---1-|
|---------------|---------------|---------------|--------------|


  Q.   E Q  E E   Q.   E Q  E E   H    H      H     H
|---------------|---------------|-----------|------------|
|-3----3----3-3-|---------------|-----------|------------|
|---------------|-3----3----3-3-|-5----7----|-8----10----|
|---------------|---------------|-----------|------------|


   H     H       H     S S  E  +Q     H    H      H    Q  E E
|-------------|---------------------|-----------|--------------|
|-------------|---------------------|-0---------|--------------|
|-------------|---------------------|------3----|-5----3--3-3--|
|-10----12----|-13----15---15-(15)--|-----------|--------------|


  H    H      H    Q  Q    H    H      H    Q  E E
|-----------|------------|-----------|-------------|
|-----------|------------|-----------|-------------|
|-1----3----|-1----------|-5----3----|-5----3--3-3-|
|-----------|------3-----|-----------|-------------|


  H    H      H    Q  Q    Q..   S S S E +E  E   Q..   S S S E +E  E
|-----------|------------|---------------------|---------------------|
|-----------|------------|---------------------|---------------------|
|-1----3----|-1----------|-5-----5-3---3-(3)-3-|-5-----5-3---3-(3)-3-|
|-----------|------3-----|---------------------|---------------------|


  Q..   S S S E +E  E   Q..   S Q.   S S
|---------------------|---------0--------|
|---------------------|--------------3-2-|
|-1-----1-3---3-(3)-3-|-1-----1----------|
|---------------------|------------------|


  Q..   S S S E +E  E   Q..   S S S E +E  E
|---------------------|---------------------|
|-0-----0-------------|---------------------|
|---------3---3-(3)-3-|-5-----5-3---3-(3)-3-|
|---------------------|---------------------|


  Q..   S S S E +E  E   Q..   S Q.   S S
|---------------------|---------0----0-2-*|
|---------------------|------------------*|
|-1-----1-3---3-(3)-3-|-1-----1----------*|
|---------------------|------------------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths