#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# # From ohig@ihug.co.nz Wed Apr 2 08:51:55 1997 Date: Tue, 25 Mar 1997 13:29:12 -0800 From: Gary Higgins To: acoustic@olga.net Cc: guitar@olga.net Subject: chord Alamo by Donovan Leitch [The following text is in the "iso-8859-1" character set] [Your display is set for the "US-ASCII" character set] [Some characters may be displayed incorrectly] ??^Q???^Z?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@>^@^C^@?^? ^@^F^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@^A^@^@^@^@^@^@^@^@^P^@^@^B^@^@^@^A^@^@^@?^?^?^?^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^?^??^?^?^?^H^@^@^@?^?^?^?^D^@^@^@^E^@^@^@^F^@^@^@^G^@^@^@ ^@^@^@?^?^?^? 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Hammering on and off strings on the F chord will give the required sound. C G C F C Eight hundred and eighty he challenged the travellers to die, C G C F C By a line that he drew with his sword as the battle drew nigh, F C Ev^?ry man that stepped over the line was for glory F C And he was left better fly, C G C F C For over the line stepped one hundred and seventy nine. Chorus F C Hey at Santa Anna they^?re killing our soldiers below F C So the rest of Texas will know, G C And remember the Alamo C G C F C G C Jim Bowie lay dying his blood and his powder were dry But his knife had been willing to take him a few in reply Young Davey Crockett lay laughin and dyin The blood and the sweat in his eye For texas and freedom a man was more willing to die Chorus Gary Higgins Ohig@ihug.co.nz ^@^@?^?^@^@^C_^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@?^?^???Oh^P?^?^H^@+'??0^@^@^@?^B^@^@^@^@^@^G^@^@^@^?^@^@^@^B^@^@^@?^@^@^@^D^@^@^@^@^A^@^@^H^@^@^@$^A^@^@ ^@^@^@H^A^@^@ ^@^@^@l^A^@^@ ^@^@^@^?^A^@^@^@^@^@?^A^@^@^P^@^@^@?^A^@^@^E^@S^@u^@m^@m^@a^@r^@y^@I^@n^@f^@o^@r^@m^@a^@t^@i^@o^@n^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@(^@^B^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@&^@^@^@?^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@ ^@^@^@?^A^@^@^R^@^@^@ ALAMO Donovan Leitch^@^^^@^@^@ ^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@ ^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@?0^T Word 6.0^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^B^@^@^@2^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@??e^@-? ^D^@^@^@^@e^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@?^H^@^@y^Q^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@?^E^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^T^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@ ^@^@^@^?^@^@ ALAMO Donovan Leitch Im not really sure if Donovan wrote this as I have only heard him sing it and I have not seen it on any records. The words are from memory and the chords are my own interpretation of the Hammering on and off strings on the F chord will give the required sound. C G C F C Eight hundred and eighty he the travellers to die, C G C F C By a line that he drew with his sword as the battle drew nigh, F C Ev^?ry man that stepped over the line was for glory F C And he that was left better fly, C G C F C For over the line stepped one hundred and seventy nine. Chorus F C Hey at Santa Anna they^?re killing our soldiers below F C So the rest of Texas will know, G C And remember the Alamo C G C F C G C Jim Bowie lay dying his blood and his powder were dry But his knife had been willing to take him a few in reply Young Davey Crockett lay laughin and dyin The blood and the sweat in his eye For texas and freedom a man was more willing to die Chorus Gary Higgins Paragraph Font^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@?^E^@^@^D^@^?^?^?^?^@^@^?^?^?^?^A^@^D!^?^?^A^@^@^@^@^@?^E^@^@^@^@^@^@^@^@^@^C^@^@?^H^@^@^E^@^@^C^@^@?^H^@^@^F^@F^@ Gary Higgins^TC:\WINWORD\ALAMO.DOC Gary Higgins^TC:\WINWORD\ALAMO.TXT^?@HP DeskJet 500C Printer^@LPT1:^@DESKJETC^@HP DeskJet 500C Printer^@^@^@^@^@^@^@^@^@^@^D^@^E^?^@(^@^C^?^?^G^A^@^A^@^@^@^@^@^@^@^A^@^A^@,^A^B^@^A^@,^A^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@^C^@^@^@^A^@^@^@^A^@^@^@^@^@^@^@^@^@^@^@@^A^^A^?^A^@^@|^A^A^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@^A^@HP DeskJet 500C Printer^@^@^@^@^@^@^@^@^@^@^D^@^E^?^@(^@^C^?^?^G^A^@^A^@^@^@^@^@^@^@^A^@^A^@,^A^B^@^A^@,^A^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@^C^@^@^@^A^@^@^@^A^@^@^@^@^@^@^@^@^@^@^@@^A^^A^?^A^@^@|^A^A^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@^A^@^@^?^A^@^@^@^@^@^@^@^@^@^H^@^@^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@1^@^U^V^?^A^@^@Times New Roman^@ ^V^?^A^B^@Symbol^@ &^?^A^@^@Arial^@"^@^D^@^@^H^?^X^@^@?^B^@^@h^A^@^@^@^@Z?^SFZ?^SF^@^@^@^@^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^D^@^?^P^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@$^CG^@^@^@^[THE ALAMO Donovan Leitch^@^@^@ Gary Higgins Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@