YOU'RE GOING TO LOSE THAT GIRL (Bassline) As recorded by The Beatles (From the 1965 Album HELP!) Words and Music by John Lennon & Paul McCartney Transcribed by Slowhand Gtr I (E A D G) - 'Paul McCartney - Bass' Chorus Q=142 4/4 Gtr I Q. E +Q Q Q. E +H Q. E +H ||-----------------|---------------|---------------| ||o----------------|---------------|---------------| ||o----------------|-4----4-(4)----|---------------| ||--0----0-(0)-----|---------------|-2----2-(2)----| 1st - 3rd Verses $ Q. E +H Q. E H Q. E H |---------------||-------------|-------------| |---------------||-------------|-------------| |-2----2-(2)----||-------------|-------------| |---------------||-0----0-0----|-4----4-4----| Q. E H Q. E E E E E Q. E Q Q |-------------|----------------|--------------| |-------------|--------------1-|-2----2-------| |-------------|-2----2-2-2-4---|--------2-----| |-2----2-2----|----------------|--------------| Q. E Q Q Q. E Q Q Q. E E E E E |--------------|--------------|-----------------|| |--------------|--------------|--------------1-o|| |--------6-----|--------4-----|-2----2-2-2-4---o|| |-4----4-------|-2----2-------|-----------------|| Chorus Q Q Q Q Q Q E E E E Q Q Q Q Q Q Q Q ||--------------|---------------|-------------|-------------| ||o-2--2-----2--|---------------|-------------|-------------| ||o-------2-----|-4--4------4---|-------4-----|-2--2-----2--| ||--------------|-------4-4---4-|-2--2-----2--|-------2-----| Bridge To Coda Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------||-------------|-------------| |-------------|-------------||-------------|-------------| |-------4-----|-5--5-----5--||-------5-----|-3--3-----3--| |-2--2-----2--|-------5-----||-3--3-----3--|-------3-----| Q Q a Q Q Q Q a Q Q Q Q Q Q Q Q Q Q |---------------|---------------|-------------|---------------| |---------------|---------------|-------------|---------------| |-------3s5--5--|-------3s5--5--|-------5-----|-3--3-----3----| |-3--3----------|-3--3----------|-3--3-----3--|-------3-------| Guitar Solo 1. Q Q Q Q Q. E Q E E Q Q E E E E |-------------||---------------|---------------| |-------------||---------------|---------------| |-------3-----||--------2------|-------6-6-----| |-1--1-----1--||-0----0----0-2-|-4--4------4-3-| Q Q Q Q Q Q E E E E Q Q Q E E |-------------|---------------|--------------| |-------------|---------------|--------------| |-------4-----|-2--2--2-0-----|-------2------| |-2--2-----2--|-----------4-2-|-0--0-----0-2-| 2. D.S. al Coda Q Q Q Q Q Q Q Q Q Q E E E E Q Q Q Q |-------------|-------------|----------------||--------------|| |-------------|-------------|-------------1-o||--------------|| |-------6-----|-------4-----|-2--2----2-4---o||-------3------|| |-4--4-----4--|-2--2-----2--|-------2--------||-1--1-----1---|| Outro & Q Q Q Q W +W |-------------|----------|--------*| |-------------|----------|--------*| |-5--5--------|----------|--------*| |-------5--5--|-0--------|-(0)----*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths