Great compilation of acoustic songs by the king of reggae! Found the song a while ago and I couldn't find a tab on here, although I did find one on site, and I'm just gonna copy it because UG's got much better functions and stuff, it easier and more available. Enjoy! a. GUAVA JELLY G C D G Baby, I really, really love you now. G C D I think you should stop your cryin'; C D Here my kerchief to dry your eyes, C D You know that I love you, yea-eah-eah. G D Em D Groovy; here I am: C Bm Come rub it 'pon me belly Am G Like a guava jelly. G D Em D Damsel, here I stand: C Bm Come rub it 'pon me belly Am G Like-a guava jelly. G C G Am G b. THIS TRAIN G C This train - mm - mm - mm; G C G This train is bound to glory - this train; C D G C G Talkin' 'bout ma: this train is bound to glory - this train: G C This train is bound to glory, D This train carry no un'oly; G C D G Dsus4 D Dsus4 This train - I'm a-talkin' 'bout: this train. G C When I was just a kid, G C My mommy used to sing this song. Bm Am Now I've grown to be a man, G Am Bm Well, it still lingers deep down in my soul; G Bm Am I said, it still lingers deep down in my soul. C G C G C G I'm talkin' 'bout: this train is bound to glory - this train; G C G D Dsus4 D Dsus4 This train is bound to glory - this train; G C This train is bound to glory, D O dis 'ere train carry no un'oly. G D G D This train - I'm a-talkin' 'bout: this train. G C G C. CORNERSTONE G C G C The stone that the builder refuse G C G C Will always be the head cornerstone-a; G C G C The stone that the builder refuse G C G C Will always be the head cornerstone. D G You're a builder, baby; C G Here I am, a stone. D G Don't you pick and refuse me, G C 'Cause the things people refuse G C Are the things they should choose. G D Do you 'ear me? Hear what I say! G C G C Stone that the builder refuse G C G C Will always be the head cornerstone-a; G C G C The stone that the builder refuse, yeah! ? G C G C Will always be the head cornerstone. D G You're a builder, baby; C G Wo, here I am, a stone! D G Don't you pick and refuse me, G C 'Cause the t'ings people refuse G C Are the things they should use; G C The things people refuse G C Are the things they should use. G D Do you 'ear me? Hear what I say! G C G C Stone dat them builder refuse G C G C Will always be the head cornerstone-a; G C G C The stone that dem builder refuse G C Bm D C# C Bm Will always be the head cornerstone. d. COMMA COMMA G C Comma, comma, come back here, G C My-y young lady; G C Comma, comma, come back here to me, G C My-y young lady, yeah! G C Jus' while I thought G C G Everything was running smooth, C She left me G C While I was in the mood. G C Now I'm callin' to you, G C But my world is relying for you to: G C Comma, comma, come back here, G C My-y young lady, yeah! G C Comma, comma, come back here to me, G C My-y young lady! G C Jus' while I thought G C Everything was running smooth. G C (vai abaixando at? parar) You know I love you; Oh now I love you. /fadeout/ E. DEWDROPS 63 - 63 52 55 42 43 42 55 - 63 Mm-mm-hm. G Bm I've been searchin' the whole darn day Am G For a little woman of mine - mine - mine - mine. G Bm Someone a-told me I could find her here Am G But it seem she disappear. G Bm Said, I searched the whole darn day; Am G Night is drawing nigh. G Bm I t'ink I'd better go home; Am G Try tomorrow again. G Bm But when I reached that railroad station, Am G I missed the last train, C Bm And then it seemed like dewdrops Am G Gonna fall on me; C Bm Yes, it seem like teardrops Am D G Gonna call on me now. G Bm I said, I'd better make up my mind Am G What am I gonna do. G Bm Am I gonna rest up here, Am G Or am I gonna push on through? G Bm My mind say, "Hey, man, ya hit the road." Am G Down there I missed the track - track - track; G Em I'm lost! Lord, I'm lost, eh! C D G Love is such a heavy load! C G And then: for crying out loud, come back to me! C G For crying out loud, hear my plea! C G For crying out loud, come back to me! Am C G Why do you treat me so bad? Am C G Why do you treat me so bad? G Bm Mm - mm - mm - mm - bam, bam. Am G Bom, bom, bome, bome. f. STIR IT UP G C Let's stir it up! G C D Stir it up, little darlin'; G Stir it up. Yaga, yaga. C D G Little darlin', stir it up. Mm. C D Little darlin'. G It's been a long, long time C C G C D Since I've got you on my mind, o-oh. G Now you are here C D It's so clear: G See what we could do, C D Just you and me, yea-eah! G Let's stir it up! C D G Little darlin', stir it up! Oh, come on, woman! C D G Little darlin', come on! Stir it up. ... C D Little darlin'. G C G C I'll push the wood, blaze the fire; G C G C Satisfy your heart desire. G C G C I'll a-stir it, yeah - every minute, yeah! G C G C All you got to do, honey, Keep it in it. G Let's stir it up! C D G Little darlin', let's stir it up! C D G Little darlin', stir it up! C D G Am G F Oh, wo - wo - wo - wo-ah, li'l darlin'. Lead up now. g. I'M HURTING INSIDE Am G F When I was just a little child, Am G F 'Appiness was there awhile. Am G F Then from me it slipped one day: Am G F 'Appiness, come back, I say, Am 'Cause if you don't come - come, G I go looking, yeah! ? F For 'appiness. Am 'Cause if you don't come - come, G I go looking now! ? F For 'appiness. Am G F Then together like school children, Am G F Then your hurt was just in vain. Am G F Lord, I'm your weary child: Am G F 'Appiness, come back. Oh, I ? Am 'Cause if you don't come G Gonna go lookin', yeah! ? F For 'appiness. Am And if you don't come, G Gonna go lookin', yeah! ? F For 'appiness. Am G F Like Jah said, I'm a-hurtin' inside; Am G F I'm a-hurtin' inside.
