Song: The Compromise
Artist: The Format
Album: Dog Problems (2006)(Track 10)
Tabbed by: Brandon Karcic

This is based on the andyp2345 tab. Changes include:
-The optional (A) (B) slide at the end of the chorus progression
-A instead of A7
-Corrected chords on the bridge



INTRO

C#m (x13321@4) A (x02220@1) E (022100@1) 
C#m (x13321@4) A (x02220@1) EC#m (022100@1)  A   E (A) (B) E (A) (B)

VERSE 1

E (022100@1)              F#You, (244322@1)you think it's cool to be crazy
              A (x02220@1)I say you're born rich - stay rich
                           EThere's (022100@1)no point in taking chances.
 E (022100@1)                  F#And (244322@1)me, I wouldn't call it a sophomore slump, no, I'd say
 A (x02220@1)                                    EI'm (022100@1)one step closer to bein' just where I want to be

PRECHORUS 1

F#Away (244322@1)from this scene,
 AAway (x02220@1)from this machine, Alright!

CHORUS 1

C#m (x13321@4)  A (x02220@1)    EMeet (022100@1)me in the middle
     C#m (x13321@4)    A (x02220@1)       E,
Well c'mon let's make up a dance
     C#m (x13321@4)   A (x02220@1)    E (022100@1)    A (x02220@1)  E(A) (022100@1)(B)
And we'll agree to call it the compromise

E(A) (B)

VERSE 2

E (022100@1)              F#Step (244322@1)one: find a partner, grab a pen
              A (x02220@1)And don't you dare ask questions,
                 EJust (022100@1)sign on the dotted line
   E (022100@1)              F#Step (244322@1)two: throw your partner behind a desk
               A (x02220@1)Will then do absolutely nothing
                              ESo (022100@1)it's your job to dance and smile the whole time

PRECHORUS 2

F#Don't (244322@1)call it a trend,
F#m'cause (244222@1)it's the only way we think to get ahead

CHORUS 2

C#m (x13321@4)  A (x02220@1)    EMeet (022100@1)me in the middle
     C#m (x13321@4)    A (x02220@1)       E,
Well c'mon let's make up a dance
     C#m (x13321@4)   A (x02220@1)    E (022100@1)    A7 (x02020@1) EAnd (022100@1)we'll agree to call it the compromise

C#m (x13321@4)     A (x02220@1)       EThere's (022100@1)no sense in complainin'
     C#m (x13321@4)    A (x02220@1)       E,
If it doesn't change your minds
    C#m (x13321@4) A (x02220@1)    E (022100@1)   A (x02220@1)   ETake (022100@1)me by the hand, let's compromise

BRIDGE 1

Bm (x24432@1)    A (x02220@1)           EI (022100@1)can feel your feet touchin' mine
Bm (x24432@1)          A (x02220@1)            EIf (022100@1)you can't dance, there's someone else in line

INTERLUDE

C#m (x13321@4) A (x02220@1) E (022100@1) 
C#m (x13321@4) A (x02220@1) EC#m (022100@1)  A   E (A) (B) E (A) (B)
C#m (x13321@4) A (x02220@1) E (022100@1) 
C#m (x13321@4) A (x02220@1) EC#m (022100@1)  A   E (A) (B) E (A) (B)

BRIDGE 2

Bm (x24432@1)    A (x02220@1)           EI (022100@1)can feel your feet touchin' mine
Bm (x24432@1)          A (x02220@1)            EIf (022100@1)you can't dance, there's someone else in line

CHORUS 3

C#m (x13321@4)  A (x02220@1)    EMeet (022100@1)me in the middle
     C#m (x13321@4)    A (x02220@1)       E,
Well c'mon let's make up a dance
     C#m (x13321@4)   A (x02220@1)    E (022100@1)    A (x02220@1)  E(A) (022100@1)(B)
And we'll agree to call it the compromise

E (A) (B)

C#m (x13321@4)     A (x02220@1)       EThere's (022100@1)no sense in complainin'
     C#m (x13321@4)    A (x02220@1)       E,
If it doesn't change your minds
    C#m (x13321@4) A (x02220@1)    E (022100@1)   A (x02220@1)   E(A) (022100@1)(B)
Take me by the hand, let's compromise

E (A) (B)
E (A) (B)
E
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