Okay so basically I think that the one on here would sound better if it were two 
half steps higher. I think it sounds more correct.

B (x2444x@1)     Abm (133111@4)   F# (244322@1)   E (022100@1) |--7--|  |--4--| |--2--| |--0--|
  |--9--|  |--6--| |--4--| |--2--|
  |--9--|  |--6--| |--4--| |--2--|
  |--8--|  |--4--| |--3--| |--1--|
  |--7--|  |--4--| |--2--| |--0--|
  |--7--|  |--4--| |--2--| |--0--|

Verse-

B (x2444x@1)        Situation number one

Abm (133111@4)        It's the one that's just begun;

E (022100@1)                F# (244322@1)  E (022100@1)        But evidently it's too late

B (x2444x@1)        Situation number two

Abm (133111@4)        It's the only chance for you
              E (022100@1)                          F# (244322@1)  E (022100@1)        It's controlled by denizens of hate

B (x2444x@1)        Situation number three

Abm (133111@4)        It's the one that no one sees
              E (022100@1)                          F# (244322@1)  E (022100@1)        It's all too often dismissed as fate.

B (x2444x@1)        Situation number four

Abm (133111@4)        The one that left you wanting more

E (022100@1)                           F# (244322@1)  E (022100@1)         it, it tantilized you with it's bait.

E (022100@1)       B (x2444x@1)           oh.

Tab by Alex Delk

alexdelk@hotmail.com