The beginning hook hammer–on section is basically just a flourished E, sounds harder than it is. Play along to the track to get his timing. He likes to throw it in throughout the song so I'll indicate this with a E*. Also, he plays most of these chords barred. They don't necessarily need to be, except for the starred chords (E*,A*). Intro (E*): E|––––––––––––––––––––––––––––––––––––| D|––––––––––––––––––––––––––––––––––––| A|–––9––––––9–––––9––––––9–––––9––––––| G|–––9––––––9–h11–9––––––9–h11–9––––––| x2 B|–––9–h10––9–––––9–h10––9–––––9–h10––| e|––––––––––––––––––––––––––––––––––––| E Bb A Abm F#m Abm A* We say I love you every time we hang the phone Abm Bb But it's not like you're alone E Bb A Abm F#m Abm A* A scene as awkward, but not really like an end Abm Bb And it's not like we're just friends A So strange to really like him Bb E* F#m So nice to see the joy that it brings A Bb E* x2 Right where you belong, not in these creepy songs with me E Bb A Abm F#m Abm A* And when we hold that second longer chest to chest Abm Bb I can feel your heart beating in your breast E Bb A Abm F#m Abm A* To see your happiness is your truest gift Abm Bb Like when you're on the phone with him and you bite your lip A Bb So strange to change from a martyr into a person E* F#m Did you know you always helped keep me from slipping? A Bb E*... Right where you belong, not in these creepy songs with me A*: E|––––––––––––––––––––––––––––––––––––| D|––––––––––––––––––––––––––––––––––––| A|––7–7–––7–7–7–7–––7–––––––––––––––––| G|––6–6–––6–6–6–6–––6–––6–––––––––––––| B|––5–5–––5–5–5–5–––5–––5–––––––––––––| e|––––––––7–7–7–7–––5–––4–––––––––––––|