WATERLOO SUNSET (Bassline) As recorded by The Kinks (From the 1967 Album SOMETHING ELSE BY THE KINKS) Words and Music by Ray Davies Transcribed by Slowhand Gtr I (E A D G) – 'Pete Quaife – Bass' Intro Q=108 4/4 Gtr I E E E E E E E E E E E E E E E E E E E E E E E E |–4–4–4–4–2–2–2–2–|–1–1–1–1–––––––––|–––––––––––––––––| |–––––––––––––––––|–––––––––4–4–4–4–|–2–2–2–2–1–1–1–1–| |–––––––––––––––––|–––––––––––––––––|–––––––––––––––––| |–––––––––––––––––|–––––––––––––––––|–––––––––––––––––| E E E E Q Q Q. E H Q. E H Q. E Q. E Q. E H |–––––––––––––––|–––––––––––––|–––––––––––––|––––––––––––––––|–––––––––––––|| |–––––––––––––––|–2––––2–2––––|–1––––1–1––––|––––––––––––––––|–––––––––––––|| |–4–4–4–4–2––2––|–––––––––––––|–––––––––––––|–/4––––4–4––––––|–4––––4–4––––|| |–––––––––––––––|–––––––––––––|–––––––––––––|––––––––––––––5–|–––––––––––––|| 1st – 3rd Verses $ Q. E H Q. E H Q. E Q. E Q. E H ||––––––––––––––|–––––––––––––|––––––––––––––––|–––––––––––––| ||o–2––––2–2––––|–1––––1–1––––|––––––––––––––––|–––––––––––––| ||o–––––––––––––|–––––––––––––|–/4––––4–4––––––|–4––––4–4––––| ||––––––––––––––|–––––––––––––|––––––––––––––5–|–––––––––––––| Q. E H Q. E H Q. E Q. E Q. E H |–––––––––––––|–––––––––––––|––––––––––––––––|–––––––––––––| |–2––––2–2––––|–1––––1–1––––|––––––––––––––––|–––––––––––––| |–––––––––––––|–––––––––––––|–/4––––4–4––––––|–4––––4–4––––| |–––––––––––––|–––––––––––––|––––––––––––––5–|–––––––––––––| Q. E H Q. E H Q. E H Q. E H |–––––––––––––|–––––––––––––|–––––––––––––|–––––––––––––| |–4––––4–4––––|–3––––3–3––––|–2––––2–2––––|–––––––––––––| |–––––––––––––|–––––––––––––|–––––––––––––|–2––––2–2––––| |–––––––––––––|–––––––––––––|–––––––––––––|–––––––––––––| To Coda Q. E H Q. E H Q. E Q E E Q E E E E E E |–––––––––––––|–––––––––––––|––––––––––––––––|––––––––2–1––––––|| |–2––––2–2––––|–1––––1–1––––|––––––––––––––––|––––––––––––––4––|| |–––––––––––––|–––––––––––––|–/4––––––4––––4–|–4––––4––––––––––|| |–––––––––––––|–––––––––––––|–––––––5––––––––|–––––––––––––––––|| Bridge Q Q Q Q Q Q Q Q Q Q E E E E Q Q E E E E |–––––––––––––|–––––––––––––|–––––––––––––––|–––––––2–1––––––| |–4––4––2––2––|–1––1––––––––|–––––––––––––––|–2––2––––––––4––| |–––––––––––––|–––––––4––4––|–2––2––2–2–2–2–|––––––––––––––––| |–––––––––––––|–––––––––––––|–––––––––––––––|––––––––––––––––| Q Q Q Q Q Q Q Q E E E E E E E E E E E E E E E E |–––––––––––––|–––––––––––––|–4–4–4–4–2–2–2–2–|–1–1–1–1––––––––––| |–4––4––2––2––|–1––1––––––––|–––––––––––––––––|–––––––––4–4–4–4––| |–––––––––––––|–––––––4––4––|–––––––––––––––––|––––––––––––––––––| |–––––––––––––|–––––––––––––|–––––––––––––––––|––––––––––––––––––| 1. 2. D.S. al Coda E E E E E E E E E E E E Q Q E E E E Q Q |–––––––––––––––––|––––––––––––––––||–––––––––––––––|| |–2–2–2–2–1–1–1–1–|–––––––––––––––o||–––––––––––––––|| |–––––––––––––––––|–4–4–4–4–2––2––o||–4–4–4–4–2––2––|| |–––––––––––––––––|––––––––––––––––||–––––––––––––––|| & Q. E Q. E Q. E H Q. E H Q. E H |––––––––––––––––|–––––––––––––|–––––––––––––|–––––––––––––| |––––––––––––––––|–––––––––––––|–2––––2–2––––|–1––––1–1––––| |–/4––––4–4––––––|–4––––4–4––––|–––––––––––––|–––––––––––––| |––––––––––––––5–|–––––––––––––|–––––––––––––|–––––––––––––| Outro Q. E H a Q Q E E E E a Q Q E E E E 4x |––––––––––––––||––––––––––––––––––|––––––––––––––––––|| |––––––––––––––||o–––––––––––––––––|–––––––––––––––––o|| |–/4––––4–4––––||o–1s2––2––2–2–2–2–|–1s2––2––2–2–2–2–o|| |––––––––––––––||––––––––––––––––––|––––––––––––––––––|| Duration Legend ––––––––––––––– W – whole; H – half; Q – quarter; E – 8th; S – 16th; T – 32nd; X – 64th; a – acciaccatura + – note tied to previous; . – note dotted; .. – note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi– bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend –––––––––––––––– h – hammer–on p – pull–off b – bend pb – pre–bend r – bend release (if no number after the r, then release immediately) /\ – slide into or out of (from/to "nowhere") s – legato slide S – shift slide – natural harmonic [n] – artificial harmonic n(n) – tapped harmonic ~ – vibrato tr – trill T – tap TP – trem. picking PM – palm muting \n/ – tremolo bar dip; n = amount to dip \n – tremolo bar down n/ – tremolo bar up /n\ – tremolo bar inverted dip = – hold bend; also acts as connecting device for hammers/pulls <> – volume swell (louder/softer) x – on rhythm slash represents muted slash o – on rhythm slash represents single note slash Misc Legend ––––––––––– | – bar || – double bar ||o – repeat start o|| – repeat end *| – double bar (ending) : – bar (freetime) $ – Segno & – Coda Tempo markers – = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths