Leonard Cohen's "One Of Us Cannot Be Wrong", track 10 on "Songs of Leonard Cohen", his 1967 debut album. The other tab you'll see online for this song is in the key of A major, and it sounds that way on Leonard Cohen's recording. But he uses a capo at the second fret, and is fingering the "basic" set of open chords rather than playing any barres. He probably does this because it's more comfortable for him to sing in the key of A major, but if your voice is flexible you can forgo the capo and play "One Of Us Cannot Be Wrong" in G major, thereby choosing easier fingerings and getting more resonance from open strings. I fancy up the chords a bit so as to be "juss a lil different," and I think it sounds good. But if you prefer, you can play the simple familiar open chords, or whatever version you like, just so long as the basic tonality (major/minor and the correct key/letter name) is there. Major chords are traditionally written with an uppercase letter, and minor chords with a lowercase letter. A number means "put that finger on that fret and string" (1 = index, 2 = middle, 3 = ring, 4 = pinkey), and "x" means "don't play that string." All diagrams represent the first 3 or 4 frets of the neck, and are shown with the low E string (fattest string) at the bottom. G (actually G5...not strictly major or minor, and can function either way) |---|---|-4-| |---|---|-3-| |---|---|---| |---|---|---| x|---|---|---| |---|---|-2-| a (actually a minor 9) |---|---|---|---| |-1-|---|---|---| |---|---|---|-4-| |---|-2-|---|---| |---|---|---|---| x|---|---|---|---| C (actually C add 11) |---|---|---| |-o-|---|---| |---|---|---| |---|---|-o-| |---|---|-o-| x|---|---|---| D (sometimes I hammer on and off on the 2nd and 3rd fretts of the high E string, adding a suspended 4 or 2) |---|-o-|---| |---|---|-o-| |---|-o-|---| |---|---|---| x|---|---|---| x|---|---|---| e (actually e minor 9) |---|---|---|---| |---|---|---|---| |---|---|---|---| |---|---|---|-o-| |---|-o-|---|---| |---|---|---|---| F (actually F major 7) |---|---|---| |-o-|---|---| |---|-o-|---| |---|---|-o-| x|---|---|---| x|---|---|---| About the rhythm and strum pattern: Leonard Cohen fingerpicks this song in a 3/4 waltz-y rhythm. You don't have to fingerpick it (I don't) but it's important to keep that 3/4 time. Each of the chord letters written under the lyrics represent one of the "big beats" -- the "4" of the "3/4" (think "1. one two three, 2. one two three, 3. one two three, 4. one two three"). Sing the lyrics in such a way that the words fall into place when the chords sound (as I've indicated), with the chords played at an even beat and the triplet feel somehow preserved in your improvised strum pattern. The chords and lyrics below have been spatially arranged so that they make rhythmic sense. It would be helpful to listen to the song, bearing in mind it will sound in a different key (A major) than what you're playing (G major). Of course, if you have a capo, now would be the time to use it, on the 2nd frett. http://www.youtube.com/watch?v=iels3GLw-zs I lit a thin green candle G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)to make you jealous of me But the C (x32010@1) C (x32010@1) G (320003@1)G (320003@1)room just filled up with mosquitos they G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)heard that my body was free Then C (x32010@1) C (x32010@1) D (xx0232@1) D (xx0232@1)I took the dust of a long sleepless night and I E (022100@1) E (022100@1) D (xx0232@1) D (xx0232@1)put it in your little shoe And C (x32010@1) C (x32010@1) G (320003@1) G (320003@1)then I confess that I tortured the dress that you A (x02220@1) A (x02220@1) F (133211@1) F (133211@1)wore for the world to look through A (x02220@1) G (320003@1) F (133211@1) F (133211@1)...........I G (320003@1)G (320003@1)G (320003@1)G (320003@1)showed my heart to the doctor G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)he said I just have to quit then C (x32010@1) C (x32010@1) G (320003@1) G (320003@1)he wrote himself a prescription and G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)your name was mentioned in it then C (x32010@1) C (x32010@1) D (xx0232@1)D (xx0232@1)he locked himself in a library shelf with the E (022100@1) E (022100@1) D (xx0232@1) D (xx0232@1)details of our honeymoon and I C (x32010@1) C (x32010@1) G (320003@1) G (320003@1)hear from the nurse that he's gotten much worse and his A (x02220@1) A (x02220@1) F (133211@1) F (133211@1)practice is all in a ruin A (x02220@1) G (320003@1) F (133211@1) F (133211@1)...........I G (320003@1)G (320003@1)G (320003@1)G (320003@1)heard of a saint who had loved you so I A (x02220@1) A (x02220@1) G (320003@1) G (320003@1)studied all night in his school He C (x32010@1) C (x32010@1) G (320003@1) G (320003@1)taught that the duty of lovers is to G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)tarnish the golden rule and just C (x32010@1) C (x32010@1) D (xx0232@1) D (xx0232@1)when I was sure that his teachings were pure he E (022100@1) E (022100@1) D (xx0232@1) D (xx0232@1)drowned himself in the pool his C (x32010@1) C (x32010@1) G (320003@1) G (320003@1)body is gone but back here on the lawn his A (x02220@1) A (x02220@1) F (133211@1) F (133211@1)spirit continues to drool A (x02220@1) G (320003@1) F (133211@1) F (133211@1)...........an G (320003@1)G (320003@1)G (320003@1)G (320003@1)Eskimo showed me a movie he'd G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)recently taken of you the C (x32010@1) C (x32010@1) G (320003@1) G (320003@1)poor man could hardly stop shivering his G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)lips and his fingers were blue I su- C (x32010@1) C (x32010@1) D (xx0232@1) D (xx0232@1)-pose that he froze when the wind took your clothes and I E (022100@1) E (022100@1) D (xx0232@1) D (xx0232@1)guess he just never got warm but you C (x32010@1) C (x32010@1) G (320003@1) G (320003@1)stand there so nice, in your blizzard of ice oh please A (x02220@1) A (x02220@1) F (133211@1) F (133211@1)let me come into the storm A (x02220@1) G (320003@1) F (133211@1) F (133211@1).......... G (320003@1)G (320003@1)G (320003@1)G (320003@1)la la la la la la la* G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)la la la la la la C (x32010@1) C (x32010@1) G (320003@1)G (320003@1)la la la la la la la la la G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)la la la la la la la C (x32010@1) C (x32010@1) D (xx0232@1)D (xx0232@1)la la la la la la la la la la E (022100@1) E (022100@1) D (xx0232@1) D (xx0232@1)la la la la la la la C (x32010@1) C (x32010@1) G (320003@1)G (320003@1)la la la la la la la la la la la A (x02220@1) A (x02220@1) F (133211@1) F (133211@1)la la la la la la la la A (x02220@1) G (320003@1) F (133211@1)F (133211@1)la G (320003@1)G (320003@1)G (320003@1)G (320003@1)la la la la la la la G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)la la la la la la C (x32010@1) C (x32010@1) G (320003@1)G (320003@1)la la la la la la la la la (starting to sound weird while it fades) G (320003@1) G (320003@1) A (x02220@1) A (x02220@1)la la la la la la la (sounding REALLY weird...screaming, basically) C (x32010@1) C (x32010@1) D (xx0232@1)D (xx0232@1)fade out *sing "la la la" or whistle...L.C. overdubs both This file represents solely Matthew Teigen's own work - http://deadbarnacle.net
