From: ppalmer@ironwood.cray.com (Peter Palmer)

Nirvana:
All Apologies - In Utero
TAB by billy.corgan@baroque.tvk.tsoft.net

- with some stuff from Pete Palmer added


TUNING: Low/High Db Ab Db Gb Bb Eb

Eb ----------------------|----------------------|----------------------|-
Bb ----------------------|----------------------|----------------------|-
Gb ----------------------|----------------------|----------------------|-
Db ----------------------|----------12-12-9-10--|----------------------|-
Ab ---9-10-9-12-12-9-10--|---9-10-9-------------|---9-10-9-12-12-9-10--|-
Db -0--------------------|-0--------------------|-0--------------------|-


Eb ---------------------|-
Bb ---------------------|-
Gb ----------11-11-9----|-
Db ------------------12-|-
Ab ---9-10-9------------|-
Db -0-------------------|-

That's the main riff.. Then the Chorus (According to Billy):

Eb ----------------------------------------|-
Bb ----------------------------------------|-
Gb ----------------------------------------|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--7-|-
Ab -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--7-|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--7-|-

*****Then the Chorus (According to Pete) 

Eb ----------------------------------------|-
Bb ----------------------------------------|-
Gb --------------------------------------2-|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--2-|-
Ab -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--0-|-
Db -5-5-5--0-5-5-5--0-5-5-5--0-5-5-5--0--0-|-

   In the sun ...                        Married, burried ....                
********************


%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Pete Palmer                     (ppalmer@cray.com)
---------------------------------------------------------------
They may say those were the days, but in a way, y'know,
For us these are the days - Yeah, for us these are the days ... 
                                       Jane's Addiction `90
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%




From: ag725@FreeNet.Carleton.CA (Rick Scaia)


In a previous article, jonriley@indirect.com (Jon Riley) says:

>  Hmm... Well, I've been playing it a bit differently. The way I
play it
>seems to fit perfectly with the version on the album, but I think
the
>unplugged version is a bit different... 
>
>Here's mine:
>
>1/2 step down, dropped D tuning
>
>Eb|----------------------------------------------------------
>Bb|----------------------------------------------------------
>Gb|----------------------------------------------------------
>Db|-------------------------------------------12--12--10--9--
>Ab|-----9--10--9--12--12--10--9-----9--10--9-----------------
>Db|--0---------------------------0---------------------------
>
>
>Eb|----------------------------------------------------------
>Bb|----------------------------------------------------------
>Gb|-------------------------------------------11--11--9------
>Db|------------------------------------------------------12--
>Ab|-----9--10--9--12--12--10--9-----9--10--9-----------------
>Db|--0---------------------------0---------------------------  

Hmmm...  take everything on the 4th and 5th strings and move
it up 2 frets, and you'e got the way _I_ play it.  Doesnt'
mean anything, buy hey, it's my two cents.  Try it...  I really
think the open low Db and an 11th fret A on the next string sound
right together.


All Apologies  by  Nirvana
--------------------------
(Normal tuning)
*
#
All in all is all we are * # * # * # etc.

     |       |       |       |          |       |       |       |
* |----------------------------------|-----------------------------------|
  |----------------------------------|-----------------------------------|
  |----------------------------------|-----------------/6---6---4---3----|
  |------3---4---3--/6---6---4---3---|------3---4---3--------------------|
  |--4-------------------------------|--4--------------------------------|
  |----------------------------------|-----------------------------------|

   |       |       |       |          |       |       |       |
# |----------------------------------|-----------------------------------|
  |----------------------------------|-----------------/6---6---4---2----|
  |----------------------------------|-----------------------------------|
  |------3---4---3--/6---6---4---3---|------3---4---3--------------------|
  |--4-------------------------------|--4--------------------------------|
  |----------------------------------|-----------------------------------|

   |       |       |       |          |       |       |       |
% |----------------------------------|-----------------------------------|
  |----------------------------------|-------------------/6---6----------|
  |----------------------------------|-----------------------------------|
  |------3---4---3--/6---6---4---3---|------3---4---3--------------------|
  |--4-------------------------------|--4--------------------------------|
  |----------------------------------|-----------------------------------|


               |-----|-----|-----|-----|   
               |-----|-----|-----|-----|     Play this the last time
               |-----|-----|-----|-----|       
$ Cello bit:   |--9--|--6--|--9--|--11-| *2 |--9--|--6--|--3--|-----|
               |-----|-----|-----|-----|    |-----|-----|-----|--4--|
               |-----|-----|-----|-----|    
  	         >>> >>> >>> >>>   Volume Swells.  Turn volume knob off
		 		   hammer on note and turn volume on,
				   repeat with every note. Use distortion.

BYE!
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