#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# APPROACHING (Bassline) As recorded by Pagan's Mind (From the 2002 Album CELESTIAL ENTRANCE) Transcribed by Ryan A. Silke Words by (instrumental) Music by Pagan's Mind Arranged by Pagan's Mind Gtr I (B E A D G) - 'Bass Guitar' AtmosphericOrgan 0:410 Q=93 8/8 Gtr I W W |----------|------| |----------|------| |----------|------| |----------|------| |----------|------| Enter Band 1:25 8/8 E E E E E E E S S E E E E S S S S S S S S |-------------------|-------------------------| |-------------------|-------------------------| |-------------------|-------------------------| |-------------------|-------------------------| |-3---------------3-|-3---------3---3---3---3-| E E E E E E E E S T T S S S S S S S T T S S S S E |-----------------|-7-6-6-6---6-----------------------| |-----------------|---------8---8-7-5-4-5-5-4---------| |-----------------|---------------------------6-5-----| |-----------------|-----------------------------------| |-3---------------|-----------------------------------| Q=97 S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S |---------------------------------|---------------------------------| |---------------------------------|---------------------7-7-6-6-----| |---------------------------------|-----------------8-8---------8-7-| |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-----------------| |---------------------------------|---------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S |---------------------------------|---------------------------------| |---------------------------------|---9-----8-----7-----6-----------| |---------------------------------|-7---7-6---6-5---5-4---4-3-2-1-0-| |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|---------------------------------| |---------------------------------|---------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| |---------------------------------|---------------------3-3-2-2-----| |-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-4-4---------4-1-| S S S S S S S S S S S S S S S S S S S T T S S S S S S S S S S S S |---------------------------------|------------------------------------| |---------------------------------|-----4-5-5-4-----------4-5-7-5-8-7--| |---------------------------------|-5-6---------6-5-3-5-6--------------| |---------------------------------|------------------------------------| |-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|------------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S |---------------------------------|---------------------------------| |---------------------------------|---------------------7-7-6-6-----| |---------------------------------|-----------------8-8---------8-7-| |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-----------------| |---------------------------------|---------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S |---------------------------------|---------------------------------| |---------------------------------|---9-----8-----7-----6-----------| |---------------------------------|-7---7-6---6-5---5-4---4-3-2-1-0-| |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|---------------------------------| |---------------------------------|---------------------------------| Part Two 2:05 Q=85 E. E. E +H E. E. E +H |----------------|----------------| |----------------|----------------| |----------------|----------------| |----------------|----------------| |-3--3--3-(3)----|-3--3--3-(3)----| E. E. E +H H H |----------------|-----------| |----------------|-----------| |----5-----------|-----------| |----------------|-3----1----| |-3-----3-(3)----|-----------| E. E. E +H E. E. E +H |----------------|----------------| |----------------|----------------| |-------5-(5)----|-------1-(1)----| |----5-----------|----1-----------| |-3--------------|-3--------------| E. e. E +H Q +E +S S S S S S S S S S |----------------|------------------------------| |----------------|------------------------------| |-5--------------|------------0-1---0-----------| |----5-----------|-3--(3)-(3)-----3---1-3-0-1-0-| |-------3-(3)----|------------------------------| 2:27 E. Q S S S Q S S E. Q S E Q E |--------------------|----------------| |--------------------|----------------| |--------------------|----------------| |--------------------|----------------| |-3--3--1-3-1-3--1-2-|-3--3--1-3-3--1-| E. Q S S S Q E Q +E +S S S S S S S S S S |------------------|------------------------------| |------------------|------------------------------| |------------------|------------0-1---0-----------| |------------------|-3--(3)-(3)-----3---1-3-0-1-0-| |-3--3--1-3-1-3--3-|------------------------------| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| |---------------------------------|---------------------------------| |-3-3-1-2-3-3-3-1-3-3-1-3-3-1-3-1-|-3-3-1-3-3-3-3-1-3-3-1-3-3-1-3-1-| S S S S S S S S S S S S S S S S S S S S S S S S H |---------------------------------|----------------------*| |---------------------------------|----------------------*| |---------------------------------|----------------------*| |---------------------------------|-3-3-3-3-3-3-3-3------*| |-1-3-3-1-3-3-1-3-3-3-1-3-3-3-1-3-|-----------------2----*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide- natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
