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Date: Tue, 21 Nov 1995 10:40:31 -0700
From: extex@iamerica.net (Paul Pfaffenberger)
Subject: Impermanent_Things by Peter Himmelman

Impermanent Things
by Peter Himmelman
"From Strength to Strength"

 D (xx0232@1)         G (320003@1)       CAll (x32010@1)these impermanent things
Dm (xx0231@1)         C (x32010@1)     Dm (xx0231@1)          COh (x32010@1)how they fool me, dominate and rule me
Dm (xx0231@1)          C (x32010@1)            G (320003@1)    Gsus4 (3x0013@1)  GThey (320003@1)keep me waiting here forever
 D (xx0232@1)         G (320003@1)       CAll (x32010@1)these impermament things
            Dm (xx0231@1)           C (x32010@1)             Dm (xx0231@1)            CWell (x32010@1)their beauty's never-aging but their worthlessness' enraging
                 Dm (xx0231@1)     C (x32010@1)               G (320003@1)       Gsus4 (3x0013@1) GYou (320003@1)know we always stand alone when we're together


    Am (x02210@1)     G (320003@1)    F (133211@1) Fsus4 (113311@1)F (133211@1)     Am (x02210@1)       G (320003@1)  F (133211@1)name="chord_113311@1">Fsus4
So why keep hanging on            to things that never stay
F (133211@1)          Am (x02210@1)      G (320003@1)          F (133211@1)               C (x32010@1)    GThings (320003@1)that just keep stringing us along from day to day

 D (xx0232@1)         G (320003@1)        CAll (x32010@1)these impermanent things
 Dm (xx0231@1)         C (x32010@1)     Dm (xx0231@1)        CPresent (x32010@1)yet elusive, passive yet abusive
 Dm (xx0231@1)            C (x32010@1)            G (320003@1)     Gsus4 (3x0013@1)GTearing (320003@1)out the heart in utter silence
 D (xx0232@1)         G (320003@1)        CAll (x32010@1)these impermanent things
      Dm (xx0231@1)         C (x32010@1)             Dm (xx0231@1)           CThey (x32010@1)point in all directions like second-hand reflections
             Dm (xx0231@1)          C (x32010@1)              G (320003@1)        Gsus4 (3x0013@1) GAnd (320003@1)they're leading me to subtle shades of violence


I think it's played about 2 keys higher on the album

There's a third verse also, but I can't remember it
If anyone can, feel free to add it


Paul Pfaffenberger
extex@iamerica.net
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