Tuning- Standard
intro: D5 B5 x2
verse 1:
D5
Subjects are thrown around the room
B5 D5 B5
Looking for the ones that got away
D5
A feeling of soft anticipation
B5 D5 B5
Another confrontation I won't make
D5 B5
But how do we do it
D5 B5
We turned into something else entirely
D5 B5
We fake it
D5 B5 G5 (then strike D5 once)
But I wanted it so desperately to be real
Chorus 1:
G5 E5
Run, run, holding on to some pieces that you left behind
D5 A5
Hold now, as I walk away, you're the one that finds me out
E5 G5
Run from the only thing left that I hold close
D5
I'll be letting you in
B5 D5
You've got the feeling you've been followed under your skin
B5 D5 B5 D5 B5
It will be weighing on your shoulder, believe it.
verse 2 (same as first verse)
If I could express it in a different dialect or in a delicate way
I'd capture the phrases inside the cage beneath my chest
And keep it locked for days
I wanted you so desperately to believe me
chorus 2 ( same as first chorus)
Run, run, why are you running from another conversation?
Someone that I've been planning on, you're the one that finds me out.
There's nowhere, now I found you, that I won't go.
I'm always letting you in.
You've got the feeling you've been followed under your skin.
It will be weighing on your shoulder.
You've got that seed in you.
You've got that seed in you.
Bridge: B5 A5 G5 A5
B5 A5 G5 A5
Run, run, what are you running from?
B5 A5
Let all your small steps expose your secrets.
G5 A5
You don't have to speak for me to believe it.
E5 F#5 G5 A5
But what do you mean?
Chorus:
G5
Shaken and faint, you've got the feeling
E5
you've been followed under your skin.
It will be weighing on your shoulder.
D5
You've got that seed in you.
A5
You've got that seed in
E5
I'm letting you in.
You've got the feeling you've been followed.
G5 D(1) G5 E5
Are you listening to anything I've said?
D5 A5
You've got that seed in you.
G5
Shaken and faint, it was the hardest thing to swallow.
E5
Pretending you don't miss me.
D5
You've got that seed in you.
A5
You've got that seed in
G5
While letting you in, I'll be thinking about tomorrow.
E5
And every time we cross those lines.
D5
You've got that seed in you.
A5
You've got that seed in
Em G A(1)D(1) --strum those once
Oh no, as I walk away, everyone had found me out. to end it.