C Chastised and abraded; F So windswept and faded. C G She wore the aspect of an old maid. Am Well, you're still taking lovers; F You take some further than others. C I still can not believe how I saw behind your blinded, blotted eyes, G But I could not get beneath your covers. Am I've seen the old cabaret F With the fetish's tailor. C I've seen the morbid cachet G Of significant failure. Am F And I know this means so much more to me than it does to you, Am F G But meet me back in room 417 we've still got work to do. C F Hey, baby, I know you had that baby before you were really ready to, C Because I've seen you hold it so timid and unsteady, G and I've seen the fear when it looks at you. Am And I've seen so much of your body, F And, though you were just under 30, C G I swore I saw on your face the aspect of an old maid. Am And so call on your tyrant director, F Let his cruel will be dispersed, C Tell all my deeds to the inspector; G I am ready for the worst. Am F G All that hubcap stealing, marijuana dealing, high sex crimes and electric cars. [Instrumental] C F C G Am F Am F G C Hey painting in the crosshairs, lets you rearrange the deck chairs. F Though you swoon and you sway, you still don't belong here. C And it's not as if I ever really told you that I cared, G But you know that even if I did, You still would not be spared. Am And you're still taking long drives; F Even the end designing needs of why. C Oh it's so hard to know just how to dress G For the last days of our lives. Am I've seen the whole three act play. F I've seen the poster and the trailer. C I never thought i'd have to pay G This much attention to one girl just to nail her. Am Down as to what it was, F C She wore the aspect of an old maid. [Outro] C F C G Am F Am F G x2