_____________________
/ Tim Christensen / standard tuning
/ Stranger / capo on 2nd fret
/ Secrets on Parade / key: F# minor
/____________________/ time: 6/8
The intro-figure exemplifies the picking pattern pretty well. So when chords are
notated just once in the bars, follow that pattern, unless the bar is specified.
+------------------------------------------------------------------------------+
Intro:
F#m 4x
||---------------------------||
||o-------------------------o||
||--------4-----4-----4------||
||--4h5---5-----5-----5------||
||o-7---7-7-7---7---7-7-7-7-o||
||--0---0---0---0---0---0-0--||
1st Verse:
F#m F#m7 Bm/D Bm/D 2x
||--------------------------|---------|---------|----------||
||o-------------------------|---------|---------|---------o||
||--------4-----4-----4-----|-7-------|-(b9)------|-(b9)-------||
||--4h5---5-----5-----5-----|-5-------|-7-------|-7--------||
||o-7---7-7-7---7---7-7-7-7-|-7-------|-x-------|-x-------o||
||--0---0---0-------0---0-0-|-0-------|-8-------|-8--------||
G#?/B F#m/C# C#5 F#m F#m6 F#m(#5) G#?/B F#m/C# C#5
|---------|-------------|-----------|---------|---------|-------------|
|---------|-------------|-----------|---------|---------|-------------|
|-5-------|-4-----4-----|-4----6----|-5-------|-5-------|-4-----4-----|
|-4-------|-5-----4-----|-5----5----|-5-------|-4-------|-5-----4-----|
|-0-------|-x-----x-----|-7----7----|-7-------|-0-------|-x-----x-----|
|---------|-7-----7-----|-0----0----|-0-------|---------|-7-----7-----|
F#m 2x
||---------------------------||
||o-------------------------o||
||--4-----4-----------4------||
||--5-----5-----4h5---5------||
||o-7---7-7-7-7-7---7-7-7-7-o||
||--0---0---0-0-----0---0-0--||
Interlude: (band enters)
F#m
|-0^----------------------|-------------------------|
|-0^----------------------|-------------------------|
|-4^----4-----------4-----|-------4-----------4-----|
|-5^----5-----4h5---5-----|-4h5---5-----4h5---5-----|
|-7^--7-7-7-7-7---7-7-7-7-|-7---7-7-7-7-7---7-7-7-7-|
|-0^--0---0-0-----0---0-0-|-0---0---0-0-----0---0-0-|
2nd Verse:
similar to 1st Verse, except for...
...this fill in the second ...and the last line:
bar of Bm/D, both times...
Bm/D F#m F#m E9
|-------------------------| |-0-------|-0----0----|
|-------------------------| |-0-------|-0----3----|
|-7h(b9)--(b9)----(b9)--(b9)------| |-0-------|-0----5----|
|-7-----7-----7---7-------| |-2-------|-2----4----|
|-x-----x-----x---x-------| |-2-------|-2----5----|
|-8---8-8-8---8---8---8---| |-0-------|-0---------|
Bridge:
A74 A7 A74 A7 D7M D7M 2x
||--3-----3-----|-3-----3-----|-0-------|-0--------||
||o-3-----3-----|-3-----3-----|-0-------|-0-------o||
||--5-----4-----|-5-----4-----|-0-------|-0--------||
||--3-----3-----|-3-----3-----|-2-------|-2--------||
||o-5-----5-----|-5-----5-----|-3-------|-3-------o||
||--3-----3-----|-3-----3-----|-3-------|-3--------||
Bm7 C#7 F#m E B/D#
|-0-------|-2-------|-0----2----|-0-------|
|-1-------|-0-------|-0----3----|-2-------|
|-0-------|-2-------|-0----2----|-2-------|
|-2-------|-1-------|-2----0----|-2-------|
|-0-------|-2-------|-2---------|-4-------|
|---------|---------|-0---------|---------|
Dsus2#11 D(add2) D(add2) C#7 C#7(#5)
|-2------0-----|-0-------|-2-----2---2-2-----2---2-|-3^------|
|-3------3-----|-3-------|-0-----0---0-0-----0---0-|-0^------|
|-0------0-----|-0-------|-2-----2---2-2-----2---2-|-2^------|
|-x------x-----|-x-------|-1-----1---1-1-----1---1-|-1^------|
|-3------3-----|-3-------|-2-----2---2-2-----2---2-|-2^------|
|--------------|---------|-------------------------|---------|
3rd Verse:
similar to 1st Verse.
Guitar Solo/4th Verse:
similar to 2nd Verse, but add this wonderful fill in the second bar of Bm/D:
*Bm/D
|-------------------------|
|-8-7---7-----------------|
|-7---(b9)7-----(b9)--(b9)(b9)----|
|-7---7-7-----7---7-7-----|
|-x-----------x---x-x-----|
|-8-------8-8-8---8-8-8---|
********************************************************************************
Electric guitar part (no capo)
F#m F#m7
---||-------------------------|-------------------------|
---||---.---------------------|-------------------------| . = staccato
---||-4b6--4b6-2~~------------|-------------4b6---------|
-4-||-------------------------|-----------4-------------|
---||-------------------------|-------------------------|
---||-------------------------|-------------------------|
Bm/D *Bm/D
|-------------------------|-------------------------|
|----.--------------------|----------------------.--|
|(6)b7-4b6~--r4p2-4~~-----|------------------2-4b6--|
|-------------------------|-------------------------|
|-------------------------|-------------------------|
|-------------------------|-------------------------|
F#m F#m7
|-2-----------------------|-------------------------|
|---5---------------------|---------------10p(b9)-----|
|-----4b6~----------(6)r4-|----------9h11------9/11-|
|-------------------------|------/11----------------|
|-------------------------|-------------------------|
|-------------------------|-------------------------|
Bm/D Bm/D
|-------------------------|-----------------------------|
|-10p(b9)-------------------|-----------------------------|
|------9/11---------------|(11)\-------16pb18---r16p14--|
|-------------------------|---------------------------16|
|-------------------------|-----------------------------|
|-------------------------|-----------------------------|
G#?/B F#m/C# C#5
|-------------------------|------------------------------|
|-------------------------|-14h15------------------------|
|-14h16~~-----------14-16-|-------16b18-14h16~~----------|
|-------------------------|---------------------------16-|
|-------------------------|------------------------------|
|-------------------------|------------------------------|
F#m F#m6 F#m(#5)
|-------------------------------|---------------------------|
|-17b1(b9)---r17p14---------------|----------------------5----|
|----------------16b18----r16p14|-14h16~~---\------4h6---6|
|-------------------------------|---------------------------|
|-------------------------------|---------------------------|
|-------------------------------|---------------------------|
G#?/B F#m/C# C#5
|-------------------------|-------------------------|
|-----------------------5-|-------------------------|
|-2h4~~----------2-4-4/6--|-6p2---------1h2p1---|
|-------------------------|-----------------------4-|
|-------------------------|-------------------------|
|-------------------------|-------------------------|
F#m F#m E9 A74
|-------------------------|-------------------------||--------|
|-------------------------|-------------------------||--------|
|-------------------------|-------------------------||--------|
|-------------------------|-------------------------||--------|
|-------(b9)--\-------11---\|-------12----11~~--------||-12~~---|
|-2---/-------2---/-------|-2---/-------------------||--------|
********************************************************************************
Bridge:
similar to previous
Outro:
G#?(add4)/B C#5(addb9)
|-------------------------|-------------------------|
|-------------0-----------|-------------0-----------|
|-------5---------5-------|-------5---------5-------|
|-----4-----4---------4---|-----4-----4---------4---|
|-0-----------------------|-------------------------|
|-------------------------|-7-----------------------|
F#m F#m6 F#m(#5)
|-----------0-----------0-|-------------------------|
|-------------------------|-------------------------|
|---------4---6-------6---|-5-----------------------|
|-------5-----------5-----|-------------------------|
|-----7-----------7-------|-------------------------|
|-0-----------------------|-------------------------|
"So I
G#?(add4)/B C#(addb9) F#m
|-------------------------|-------------------------|-0^---|
|-------------0-----------|-------------0-------4---|-0^---|
|-------5-----------------|-------5-----------------|-0^---|
|-----4-----4-------------|-----4-----4-------------|-2^---|
|-0-----------------------|-------------------------|-2^---|
|-------------------------|-7-----------------------|-0^---|
call out your name."
