PESTILENCE - TWISTED TRUTH
                         From the Album TESTIMONY OF THE ANCIENTS
                         Copyright 1991 The All Blacks B.V./    
                                        Roadrunner Records 

                              Version 1.0 - May 96
                                
Transcription Done By: Richard Broadhead II() 
For Questions, Comments, Corrections, or Newest Version; 
               please contact Rich Broadhead at 

Check Out My Web Page, With More Transcriptions On It:
               

.  - palm mute                          ph    - pinched harmonic
/  - slide up to                        ah    - artificial harmonic
\  - slide down to                      th    - tap harmonic 
~  - vibrato                            hr    - natural harmonic
h  - hammer on                          b     - bend 
p  - pull off                              Suffixes for bend    
t  - tap with finger                            f - full bend    h - half bend
repeat measure                             r - release      t - tap bend
X  - percussion mute                            p - pick when bent 
>  - accented note                         Prefixes
() - ghost note, sustained note                 p - pre-bend     w - use bar
*  - see comment                                d - don't pick start of bend 

Normal Tuning

Opening
|-------------------------|--------------------------|
|-------------------------|--------------------------|
|-------------------------|--------------------------|  GTR I
|-------------------------|--------------------------|
|-2-4---7-5---2-4---9-8---|-2-4---7-5---2-4---9-10---|
|-0-2---5-3---0-2---7-6---|-0-2---5-3---0-2---7-8----|
|
|-------------------------|--------------------------|
|-------------------------|--------------------------|
|-------------------------|--------------------------|  GTR II
|-------------Pick Slide--|--------------------------|
|---------------\\\\------|-2-4---7-5---2-4---9-10---|
|---------------\\\\------|-0-2---5-3---0-2---7-8----|

Riff A                                 (end of Riff A)
|-------------------------|--------------------------|
|-------------------------|--------------------------|
|-------------------------|--------------------------|  GTR I & GTR II
|-------------------------|--------------------------|
|-2-4---7-5---2-4---9-8---|-2-4---7-5---2-4---9-10---|
|-0-2---5-3---0-2---7-6---|-0-2---5-3---0-2---7-8----|

Play Riff A two more times for a total of three times

Riff B                                          (end of Riff B)
|--------------------------------|------------------------------|
|--------------------------------|------------------------------|
|--------------------------11\10-|--------------------------11\-| GTR I &
|--------------------------11\10-|--------------------------11\-|   GTR II
|--------------------------9-\8--|--------------------------9-\-|
|-000000000000000000000000-------|-000000000000000000000000-----|
  ........................       ........................                   
  
Play Riff B a total of two times.

Rhythm under Uterwijk's solo
|-0--------0----0--------0----|-0--------0----0--------0----|
|-1--------1----1--------1----|-0--------1----0--------1----|
|-2--------2----2--------2----|-0--------0----0--------0----|
|-2--------2----2--------2----|-2--------2----2--------2----|
|-0------3-3--0-0-----3--3----|-2--------2----2--------2--0-|
|---------------------------0-|-0-----3--3--0-0------3-3----|
         .    .       .     .         .     .        .    .

That Rhythm is repeated twice under Uterwijk's solo

Play Riff A two more times
Play Riff B 4 more times

Riff C               (end of Riff C)
|---------------------------------|
|---------------------------------|
|---------------------------------| GTR I & GTR II
|-1-----1-----0---1-----1---------|
|---0-----0-----0---0-----0---4-0-|
|-----2-----2---------2-----2-----|
  . . . . . . . . . . . . . . . .

Play Riff C 3 more times for a total of four times.

Riff D                (end of Riff D)
|----------------------------------|
|----------------------------------|
|----------------------------------|  GTR I
|----------------------------------|
|-3-2---4-3---5-4-6-5---7-8----8-9-|
|-----3-----4---------6-----7------|
|
|----------------------------------|
|----------------------------------|
|----------------------------------|  GTR II
|-5-4---6-5---7-6-8-7---9-8---10-9-|
|-----5-----6---------8-----9------|
|----------------------------------|

Rhythm under Mameli's solo
|-0------0----0------0----|--------0-----------0----|
|-3------1----3------1----|-------------------------|
|-2------2----2------2----|-7------9----7------9----|
|-2----X-2----2----X-2----|-7----X-9----7----X-9----|
|-2----X-3----2----X-3----|-5----X-7----5----X-7----|
|-0----X------0----X------|-7----X-0----7----X-0----|

Play That Rhythm twice under Mameli's solo.
Then Gtr I plays Riff A, While Gtr II finishes the solo
Play Riff A twice
Riff B four times
Riff C 5 times
Riff D

Uterwijk's Solo
|----------------------------------------------------|
|--------------8-7-8-7-------7-8-10-8-7--------------|
|---------9~-------------7-9------------9-7-9-7------|
|-7~--7-9--------------9------------------------10-9-|
|----------------------------------------------------|
|----------------------------------------------------|
      . .

|-----------------------------------------------|
|-----------------------------------------------|
|-9~--------------------------------------------|
|-----7/9---------------------7-9-10-9-7----7-9-|
|---------7~----7-9-10-9-9-10------------10-----|
|-------------7---------------------------------|
              . . . .  . . .  . . .  . . .  . .

                 sweep
|-----8-7-8~--------12-10-12bh-12-10-------------|
|-8bf---------12~--12----------------13-12-10----|
|---------------------------------------------12-|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|

|----------------------------------------15~---\---|
|-------------------------------------10-----------|
|-11~--12-9~----------9----9~---12-11--------------|
|----------------9-12---12-------------------------|
|-------------12-----------------------------------|
|--------------------------------------------------|

Mameli's Solo
|----------15-14h15p14----14---------------
|-13-15-17-------------15----15-13-17-12~--
|------------------------------------------
|------------------------------------------
|------------------------------------------
|------------------------------------------

continuation of above measure
---------------------------------------|
---------------------------------------|
--14-12-11bhr-11~--11h12-11~--11-12----|
------------------------------------14-|
---------------------------------------|
---------------------------------------|

|----------------------------------------
|----------------------------------------
|--------------------------------9h10h12-
|------------------9-10-12-10-12---------
|-14~---10-9-10-12-----------------------
|----------------------------------------

Continued from above      trill
-------------------12-14-15(14)-12------12~-----15-|         
----------12----12-----------------15bf-----17-----|
-11-14-12----14------------------------------------|
---------------------------------------------------|
---------------------------------------------------|
---------------------------------------------------|

|-19~-19bh-17~-17bf-15~-15bf-14-------|
|-------------------------------15----|
|----------------------------------14-|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|

|----------------------------------------------------------|----------*14-|
|-------sl.------------------------------------------------|--------------|
|-16~---/-\--11-12-9-11----9-------------------------------|--------------|
|-----------------------12---10-12-9-10----9---------------|--------------|
|---------------------------------------12---10-12-9bh-----|-\9-9~--------|
|------------------------------------------------------12--|--------------|
*turns into this note via feedback

For Questions, Comments, Corrections, or Newest Version; 
               please contact Rich Broadhead at 

Check Out My Web Page, With More Transcriptions On It:
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