• Song:

    Murmur Album

  • Artist:

    Rem

R.E.M , Murmur Album
Mike McConnell

RADIO FREE EUROPE

For the "Raving station/Straight off the boat" part:

e ----0--0--0-0--0--0-0--0--0-0--0--0-0-0-0-0---
B -----0--0----0--0----0--0----0--0--0-0-0-0-0--
G ---3--3--3-3--3--3-2--2--2-2--2--2------------

        For the "Beside yourself.." part:

e --0--0--0-0--0--0------4--------
B ---4--4----4--4---5-5-5-5-5-----
G -4--4--4-4--4--4-6-6-6---6-6----

(play 2x)

A5                             D5   E5
Beside yourself if radio's gonna stay.
A5                          D5   E5
Reason: it could polish up the grey.
A5                               D5     E5
Put that, put that, put that up your wall
A5                       D5   E5
That this isn't country at all

F#5    A5      (EEAE5 )    F#5    A5         B5
Raving station,       beside yourself

{same as verse above}
Keep me out of country in the word
Deal the porch is leading us absurd.
Push that, push that, push that to the hull
That this isn't nothing at all.

Straight off the boat, where to go?

E5           A5          E5              A5
Calling on in transit, calling on in transit
E5     A5                E5       A5
Radio Free Europe

Beside defying media too fast
Instead of pushing palaces to fall
Put that, put that, put that before all
That this isn't fortunate at all

Raving station, beside yourself
Calling on in transit, calling on in transit
Radio Free Europe, radio.

B5   C#5                  B5            C#5
Decide yourself, calling all of the medias too fast

Keep me out of country in the word
Disappoint is into us absurd

Straight off the boat, where to go?
Calling on in transit, calling on in transit
Radio Free Europe

----

From: Carlos Yuzo Shine 

RADIO FREE EUROPE

"A": x02xxx
 D5 : xx0232
"E": 02(2)xxx
 E5 : xx2100

 e -------------------------2-------------0-------------
 B -------------------------3-------------0-------------
 G -------------------------2-------------1-------------
 D -2-2-2-2-2-2-2-2-2-2-2-2-0-------------2-------------
 A -0-0-0-0-0-0-0-0-0-0-0-0---2-2-2-2-2-2-------0-0-2---
 E ---------------------------0-0-0-0-0-0---4-4-------0-
    "A"                    "D" "E"        E5
    Beside yourself if radio's gonna stay, etc.

---------------------------------------------------------------------------

PILGRIMAGE

{piano intro is something like this:}
(D) ---3-------------------
(A) -----3------3----------
(E) --------3-------------- .... repeat then go on to verses...

Take a turn, take a turn
Take our fortune, take our fortune

(G)  -------0---------0------------------
(D)  ----3---------3----------0-------0--
(A)  --1--------1-----------3-------3----
(E)  ---------------------1-------1------   ... repeat several times

They called the clip a two-headed cow
Your hate clipped and distant, your luck, pilgrimage
Rest assured this will not last, take a turn for the worst
Your hate clipped and distant, your luck a two-headed cow

CCC5    F5         G5
   The pilgrimage has gained momentum
F5      G5
Take a turn, take a turn
F5        G5        F5        G5
Take our fortune, take our fortune
Pilgrimage

{the little break is....}
C / / /  C(Bbass) / / /  Bb / / / G {of course repeated some}

Speakin' in tongues, it's worth a broken lip
Your hate clipped and distant, your luck, pilgrimage
Rest assured this will not last, take a turn for the worst
Your hate clipped and distant, your luck a two-headed cow
The pilgrimage has gained momentum
Take a turn, take a turn
Take our fortune, take our fortune

Pilgrimage.  Pilgrimage.

Speakin' in tongues, it's worth a broken lip
Your hate clipped and distant, your luck
Rest assured this will not last, take a turn for the worst
Your hate clipped and distant, your luck two-headed
The pilgrimage has gained momentum
Take a turn, take a turn
Take our fortune, take our fortune

Pilgrimage.  Pilgrimage.
The pilgrimage has gained momentum
Take a turn, take a turn
Take our fortune, take our fortune
Take a turn, take a turn
Take our fortune, take our fortune

---------------------------------------------------------------------------

LAUGHING

C#5                 E5
Laocoon and her two sons
C#5                       E5
Pressured storm , tried to move
C#5                    E5
No other more, emotion bound
C#5          E5
Martyred, misconstrued

A5    E5    C#5  A5    E5  C#5  C#5 B5   E5 E5 E5
Ligh-ted       in a room    la--nky room
F#5   Ab5 F#5   Ab5 F#5 Ab5 E5 E5       A5 E5
Ligh--ted ligh--ted laughing     in tune
Lighted lighted laughing

Laocoon and her two sons
Run the gamut, sated view
Know them more, emotion bound
Martyred, misconstrued

A5    E5    C#5  A5    E5  C#5  C#5 B5   E5 E5 E5
Ligh-ted       in a room    la--nky room
F#5   Ab5 F#5   Ab5 F#5 Ab5 E5 E5       A5 E5
Ligh--ted ligh--ted laughing     in tune
Lighted lighted laughing

G#m  E      E----4-5-7-5-4-----
In a room   B--5-----------5-(b9)
         C#m            E      E----4-5-7-5-4---
lock the door latch the room   B--5-----------5-
Lighted, lighted, laughing

Laocoon and her two sons
Ran the gamut, settled new,
Find a place fit to laugh,
Lock the doors, latch the room
Lighted in a room , lanky room
Lighted, lighted, laughing in tune
Lighted, lighted, laughing in tune
Lighted, lighted, laughing in tunes
Lighted, lighted, laughing in tunes

Note:  the F#m and G#m are arpeggiated barre forms
with high B and E strings open (i.e. XX4200 and XX6400)

---------------------------------------------------------------------------

TALK ABOUT THE PASSION

Original tab by:  ?
Corrections by:  George Belkin  
   and Michael Cummings

{Main riff:}
E------------------------------------------------------
B-----------------------------3-------------3-2-0------
G-2-2-------2-2-------------0---0---------2--------2---   (repeat)
D-0-0-0-2-4-0-0-0-2-4-0---2-------2-----2--------------
A-----------------------3-----------3-0----------------
E------------------------------------------------------

{Verse riff #1:}
E-0-0-0-0-0-0--0-0-0-0-0-0---3-3-3-2-0-0-0-0---------------------------
B-2-2-0-2-2-0--2-2-0-2-2-0---0-0-0-0-0-0-3-3---------------------------
G-2-2-2-2-2-2--2-2-2-2-2-2---0-0-0-0-0-0-0-0---------------------------
D-2-2-2-2-2-2--2-2-2-2-2-2---2-2-2-2-2-2-2-2---------------------------
A-0-0-0-0-0-0--0-0-0-0-0-0---2-2-2-2-2-2-2-2---------------------------
E----------------------------0-0-0-0-0-0-0-0---------------------------
This is like A, Asus, and a variation on E-minor

{Verse riff #2:}
E-------0-------------0-------------0-------------0-0-0----------------
B-----3---3---3-----3---3---3-----3---3---3-----3---3-3----------------
G---2-------------0-------------2-------------0-----0-0----------------
D-3---------3---2---------2---3---------3---2-------2-2----------------
A----------------------------------------------------------------------
E----------------------------------------------------------------------

{Bridge riff:}
E-2-2-3-5--2-2-3-5--3-3-3-2-2-2-2-2-------2-0--------------------------
B-3-3-3-3--3-3-3-3--3-3-3-3-3-3-3-3-----3------------------------------
G-2-2-2-2--2-2-2-2--2-2-2-2-2-2-2-2-0-2--------------------------------
D-0-0-0-0--0-0-0-0--0-0-0-0-0-0-0-0------------------------------------
A----------------------------------------------------------------------
E----------------------------------------------------------------------
The fourth verse begins the same way as the other three and fades out
repeating the A / Em stuff.

---

Intro:  {main riff}

{Main riff}
Empty prayer, empty mouths, combien reaction
Empty prayer, empty mouths, talk about the passion
Not everyone can carry the weight of the world
Not everyone can carry the weight of the world

{Verse riff #1}
Talk about the passion
Talk about the passion

{Main riff}
Empty prayer, empty mouths, combien reaction
Empty prayer, empty mouths, talk about the passion
{Verse riff #2:}
Combien, combien, combien de temps?

{Verse riff #1}
Talk about the passion
Talk about the passion

{Bridge riff}

{Main riff}
Not everyone can carry the weight of the world
Not everyone can carry the weight of the world
{Verse riff #2:}
Combien, combien, combien de temps?

{Verse riff #1}
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion

---------------------------------------------------------------------------

MORAL KIOSK

From: Winston Campbell
Corrections by:  George Belkin 
           and:  Jonathan Blanks  

Intro:  E5

D5                   A5             E5
Scratch the scandals in the twilight
D5              A5         E5
Trying to shock but instead
D5             A5           E5
Idle hands all orient to her
D5           A5               E5
Pass a magic pillow under head

F#5         Ab5             E5   B5
Its so much more attractive
F#5        Ab5         E5   B5
Inside the moral kiosk
E5
Inside, cold, dark, fire, twilight
E5
Inside, cold, dark, fire, twilight

D5                        A5             E5
They scratch the scandals in the twilight
D5               A5          E5
She was laughing like a Horae
D5            A5               E5
Put that knee in dour landslide
D5                A5                E5
Take this step to dash a roveing eye

F#5         Ab5             E5   B5
Its so much more attractive
F#5        Ab5         E5   B5
Inside the moral kiosk
E5
Inside, cold, dark, fire, twilight
E5
Inside, cold, dark, fire, twilight

{Bridge:}   D5   A5  B5   (x 2)

D5                   A5             E5
Scratch the scandals in the twilight
D5              A5         E5
Trying to shock but instead
D5             A5           E5
Idle hands all orient to her
D5           A5               E5
Pass a magic pillow under head

F#5         Ab5             E5   B5
Its so much more attractive
F#5        Ab5         E5   B5
Inside the moral kiosk
E5
Inside, cold, dark, fire, twilight
E5
Inside, cold, dark, fire, twilight

(The interlude is a play on the G chord)

E5
Inside, cold, dark, fire, twilight
E5
Inside, cold, dark, fire, twilight

{The riff played over the E chord after every line in the verse is:

E ---------
B ---------
G -3h4p3---
D -------6-
A ---------
E ---------     }

---------------------------------------------------------------------------

PERFECT CIRCLE

{its helpful to play the piano notes by streching your pinky
 along the high E-string on the D and G chords}

F5  F5        D5        F5   F5    G5
   Put your hair back, we get to leave
 F5  F5        D5             G5
    Eleven gallows on your sleeve
 F5   F5       D5     F5 F5     G5
    Shallow figure, winner's pain
 F5   F5     D5      F5          G5      F5   D5
    Eleven shadows way out of place
  C5            F5              C5           D5
 Standing too soon, shoulders high in the room
  C5            F5              C5           D5
 Standing too soon, shoulders high in the room
  C5            F5              C5           F5
  Standing too soon, shoulders high in the room

{same as before}
Pull your dress on and stay real close
Who might leave you where I left off?
A perfect circle of acquaintances and friends
Drink another, coin a phrase
Heaven assumed, shoulders high in the room
Heaven assumed, shoulders high in the room
Heaven assumed, shoulders high in the room

Try to win and suit your needs
Speak out sometimes but try to win
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room

---------------------------------------------------------------------------

CATAPULT

{for the intro, use this configuration of G to mock the bass}

"G"  xx09(10)9
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult

G5    E5             D5
Oohhh, we were little boys
G5    E5             D5     A5
Oohhh, we were little girls
     G5                  E5              D5
It's nine o'clock, don't try to turn it off
G5            E5    D5           A5
Cowered in a hole, ugly mouth

We in step, in hand, your mother remembers this.

Hear the howl of the road, a question:
F5   C5       D5          F5   C5       D5
Did we miss anything?  Did we miss anything?
F5   C5       D5          F5   C5       D5           A5
Did we miss anything?  Did we miss anything?
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult

G5(add E5 )        D5      G5(addE5 )   D5   A5
Porch could be darker.
G5(add E5 )       D5      G5(addE5 )   D5   A5
Much could be darker.
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult

G5    E5             D5
Oohhh, we were little boys
G5    E5             D5     A5
Oohhh, we were little girls
     G5                  E5              D5
It's nine o'clock, don't try to turn it off
G5            E5    D5           A5
Cowered in a hole, ugly mouth

We in step, in hand, your mother remembers this.

Hear the howl of the road, a question:
F5   C5       D5          F5   C5       D5
Did we miss anything?  Did we miss anything?
F5   C5       D5          F5   C5       D5           A5
Did we miss anything?  Did we miss anything?
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult
    D5 D5  D5      Aass
Catapult

---------------------------------------------------------------------------

SITTING STILL

Transcription by:  Marc van der Geest 

Intro/Chorus :

     D5  D5  U  D5  D5  U  D5  D5 U U D5 U  : Up/D?wn strokes
e: | --0--0--0--0--0--0--0--0-0-0-0-0-- | 
B: | --0--0--0--0--0--0--0--0-0-0-0-0-- | 
G: | --6--6-(6)-4--4-(4)-2--2-2-2-2-2-- |  3x
D: | --7--7-(7)-6--6-(6)-4--4-4-4-4-4-- | 
A: | ---------------------------------- | 
E: | ---------------------------------- | 

Verse :

     slight palm-mute
e: | --------------------- | -(0)--0---0---0--0---0---0- | 
B: | --------------------- | -------0---0------0---0---- | 
G: | --------------------- | ----2---2---2--2---2---2--- | 
D: | --2-2-2-2-2---------- | --------------------------- |  repeat
A: | --2-2-2-2-2---etc.--- | --------------------------- | 
E: | --0-0-0-0-0---------- | --------------------------- | 

The 'Up to par...' part :
                                     D5 D5 U U D5 U
e: | --throw in some open e & B -------0-0-0-0-0-0---- | 
B: | -----strings occasionaly----------0-0-0-0-0-0---- | 
G: | --8-8-8-***-8-(b9)(b9)8---6-6-6-***---2-2-2-2-2-2---- | 
D: | --(b9)(b9)(b9)***-(b9)x-x-(b9)--7-7-7-***---4-4-4-4-4-4---- | 
A: | --(b9)(b9)(b9)***-(b9)(b9)(b9)(b9)--7-7-7-***--(4-4-4-4-4-4)--- | 
E: | --7-7-7-***-7-7-7-7---5-5-5-***------------------ | 

*** means: just strum the chord (listen to the record)

Bridge :

e: | -0------0-------(0--0-0-0)-- | 
B: | -0------0-------(0--0-0-0)-- | 
G: | -1------2--------(b9)-(b9)(b9)(b9)-- |  2x
D: | -2------4--------x--x-x-x--- | 
A: | -2---------------(b9)-(b9)(b9)(b9)-- | 
E: | -0---------------7--7-7-7--- | 
             I'm not 100% sure about this last chord

Outro :
This is just the chorus played a couple of times with just an E/E4/E transition in
between; and at the end of the song: E/Fmin/E. Something like this:
e: | --------- | -0-***-0-0-0-***- | --------- | -0-***-0-***-0--- | 
B: | -intro/-- | -0-***-0-0-0-***- | -intro/-- | -0-***-0-***-0--- | 
G: | -chorus-- | -1-***-2-2-1-***- | -chorus-- | -1-***-2-***-1--- | 
D: | -riff-3x- | -2-***-2-2-2-***- | -riff-3x- | -2-***-4-***-2--- | 
A: | --------- | -2-***-2-2-2-***- | --------- | -2-***-4-***-2--- | 
E: | --------- | -0-***-0-0-0-***- | --------- | -0-***-------0--- | 

-----

This name I got we all agreed
See could stop stop it will rid
We could bind it in the cist
We could gather, throw a fit

Up to buy, Katie buys a kitchen-size, but not me in
Setting trap for love, making a waste of time, sitting still

I'm the sign and you can read.
I'm the sign and you're not deaf.
We could bind it in the cist.
We could gather, throw a fit.

Up to buy, Katie buys a kitchen-size, but not me in
Setting trap for love, making a waste of time, sitting still
I can hear you.  I can hear you.  I can hear you.

This name I got we all agree
See could stop stop it will rid
We could bind it in the cist
We could gather, throw a fit.

Up to buy, Katie buys a kitchen-size, but not me in
Setting trap for love, making a waste of time, sitting still

{same as intro}
I can hear you.  I can hear you.  I can hear you.

You can gather when I talk, talk until you're blue
You could get away from me.  Get away from me.

Up to buy, Katie buys a kitchen-size, but not me
Setting trap for love, making a waste of time, sitting still
I can hear you.  I can hear you.  I can hear you.
I can hear you.  I can hear you.  I can hear you.
Can you hear me?

---------------------------------------------------------------------------

(b9)9  (Last Updated:  8/23/96)

(There are three versions of this song in this file.  First the lyrics.
I'll try to "pretty" it up when I have the time. - Chris)

Lyrics:

Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the Lord my soul to keep.
If I should die before I wake, I pray the Lord, hesitate.

Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
all nine yards down her back

Give me a couple,
Don't give me a couple of pointers,
Turn to lies and conversation fear

Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
all nine yards down her back

Give me a couple,
Don't give me a couple of pointers,
Turn to lies and conversation fear

What is my mind?
What is my mind?

Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the Lord my soul to keep.
If I should die before I wake, oh come on, hesitate, hesitate.

Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
all nine yards down her back

Give me a couple,
Don't give me a couple of pointers,
Turn to lies and conversation fear

Conversation fear. Conversation fear. Conversation fear.

------
From: Jonathan Blanks 

(in normal tuning)

intro is of course strings and notes, but if you play an A chord it
sounds good. Then after the intro before the song kicks in I think
it is a B or B5. From what I can tell the verse is E then B (orB5) and the
last line of the verse is E and the chorus goes B//A// and there may be a G
in there somewhere but maybe it's just the bass playing a G.

-----
From: domenico suppappola 

I'm not certain about the intro so here's my best shot:

E:-2-3-5-3s2-2 that's the bassline....

e:---0-----0-----0-----0-----
B:-2---2-3---3-5---5-3---3-3-2    that's my best guess at the jangles

Verse:
A two punch.............right on target........
E         E4     E       Bm   7th fret harmonics-s-5th fret harmonics

Chorus:
Give me a couple of, don't give me a couple of pointers turn to lies and
B5       A5        G5                 A5        B5           A5            G5

Conversation fear.
      A      B      7th fret harmonics-s-5th fret harmonics

----
Version 3  (Added 8/23/96)

From: Steven Doherty 

Subject: (b9)9 by REM

This is (b9)9 by REM. I'm not certain about the intro so here's my best
shot:

E:-2-3-5-3s2-2 that's the bassline....

e:---0-----0-----0-----0-----
B:-2---2-3---3-5---5-3---3-3-2    that's my best guess at the jangles

Verse:
A two punch.............right on target........
E         E4     E       Bm   7th fret harmonics-s-5th fret harmonics

Chorus:
Give me a couple of, don't give me a couple of pointers turn to lies and
B5       A5        G5                 A5        B5           A5            G5

Conversation fear.
      A      B      7th fret harmonics-s-5th fret harmonics

---------------------------------------------------------------------------

SHAKING THROUGH

Intro From: Jeremy Price XD/MH 4880  

  D5                                C5
  1 A5 & A5 2 A5 & A5 3 A5 & A5 4 A5 & A5  1 A5 & A5 2 A5 & A5 3 A5 & A5 4 A5 & A5
e | -------------------------------- | -------------------------------- | 
B | 10------------------------------ | 8------------------------------- | 
G | 11------------------------------ | (b9)------------------------------ | 
D | 0--(0)--0---0---0---0---0---0--- | 0--(0)--0---0---0---0---0---0--- | 
A | -------------------------------- | -------------------------------- | 
E | -------------------------------- | -------------------------------- | 

  D5                                C5
  1 A5 & A5 2 A5 & A5 3 A5 & A5 4 A5 & A5  1 A5 & A5 2 A5 & A5 3 A5 & A5 4 A5 & A5
e | -------------------------------- | -------------------------------- | 
B | 7------------------------------- | 5------------------------------- | 
G | 7------------------------------- | 5------------------------------- | 
D | 0--(0)--0---0---0---0---0---0--- | 0--(0)--0---0---0---0---0---0--- | 
A | -------------------------------- | -------------------------------- | 
E | -------------------------------- | -------------------------------- | 

{once again, there's a melody line played on the E string with
 the chords, it just alternates between D Dsus2 and D4;
 with the Bm chord, its easier to play a "cheater" chord (no barre)
 then pick out the notes. Or I guess you could play straight chords if
 you're a weenie}

D5                B5               D5                   B5
Could it be that one small voice doesn't count in the world?
E5                   A5    E5              A5
Yellow like a geisha gown, denial all the way

Could this by three be turned?  Honor marches on.
E5                   A5    E5              A5
Yellow like a geisha gown, denial all the way

D5 A5     G5   ( A5 )  D5   A5  G5   D5 A5     G5   ( A5 )  D5   A5   G5
Shaking through, opportune. Shaking through, opportune.

Are we grown way too far?
Taking after rain
E5                   A5    E5              A5
Yellow like a geisha gown, denial all the way
D5 A5     G5   ( A5 )  D5   A5  G5   D5 A5     G5   ( A5 )  D5   A5   G5
Shaking through, opportune. Shaking through, opportune.

E5     A5         E5     A5
In my life

Is that a steal?
Children of today on parade,
E5                   A5    E5              A5
Yellow like a geisha gown, denial all the way
D5 A5     G5   ( A5 )  D5   A5  G5   D5 A5     G5   ( A5 )  D5   A5   G5
Shaking through, opportune. Shaking through, opportune.
D5 A5     G5   ( A5 )  D5   A5  G5   D5 A5     G5   ( A5 )  D5   A5   G5
Shaking through, opportune. Shaking through, opportune.

{At the end, the chorus gets played a key up for a while, so it's
 E5     B5    A5 ....    then end on A5 big 'ol B}

----

From: "Rensink, Brenden BHS" 

On Shaking through,(murmer)

the line

E5                      A5
yellow like a geisha gown

it is actually...

A5
 - - - - - - - - - -
 - - 3 - - - - - - - -
 - - 2- - - - - - - -
 - - 2 - - - - - - -
 - - - - - - - - -
 - - - - - - - - - -

E5                                  A5           A5     A5
yellow like a geisha gown

---------------------------------------------------------------------------

WE WALK

Original chords by:  ?
Corrections by:  Jonathan Blanks  

[The song is tuned up 1/4 step]

{intro:  F5  F5  D5  D5     F5 F5 D5 G}

{On the C to Am stuff, It sounds good to walk the bass note of the C
 chord down to a B before playing Am}

 C5             A5             C5                A5       C5    A5  C5    A5
Up the stairs to the landing up the stairs into the hall
 C5     A5    C5        A5     C5  A5      E5
Take oasis, Marat's bathing
 F5  F5 D5              F5  G5
We walk through the wood we walk
 C5             A5             C5               A5         C5  A5  C5  A5
Up the stairs to the landing up the stairs into the hall
 C5     A5    C5        A5     C5  A5    E5
Take oasis, Marat's bathing
 F5  F5 D5               F5   G5
We walk through the woods we walk

  A5    F5   Bb5  C5  A5    F5   Bb5  C5  A5    F5    Bb5 C5   A5    F5   Bb5 {slide here}

 Take oasis       take oasis       take oasis        take oasis

 Bb5 - B5 - C5             A5             C5               A5           C5  A5   C5   A5
     Up the stairs to the landing up the stairs into the hall
 C5     A5    C5        A5  ......
Take oasis, Marat's bathing

We walk through the world we walk
Up the stairs to the landing, up the stairs into the hall
Take oasis, Marat's bathing
Up the stairs to the landing, up the stairs into the hall
Take oasis, Marat's bathing
Up the stairs to the landing, up the stairs into the hall
Into the hall

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WEST OF THE FIELDS

Chords by: Trygve Sandven Haaland 

E5               D5              F5   G5    F5              G5
Long gone, intuition to assume are gone when we try.
E5                      D5               F5        G5              F5       G5
Dream of  a living  jungle in my way back home when we die.

E5
West of the fields. West of the fields. West of the fields. West of the fields.
E5   G5     E5   G5     E5   G5     E5   G5     E5
Long gone. Long gone. Long gone. Long gone. West of the fields.

Dreams of Elysian, to assume are gone when we try
Tell now what is dreaming
When we try to listen with your eyes oversimplify

E5  F5               D5     G5 C5 D5   F5                   G5
The animals, how strange.       Try, try to stick it in.
E5  F5               D5     G5 C5 D5   F5                   G5
The animals, how strange.       Try, try to stick it in.

Dreams of Elysian, to assume are gone when we try
Tell now what is dreaming when we try.
Listen through your eyes when we die.

West of the fields. West of the fields. West of the fields. West of the fields.
Long gone. Long gone. Long gone. Long gone. West of the fields.
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