#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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MEMORIES OF TOMORROW (Bassline)
As recorded by Slayer
(From the 1996 Album UNDISPUTED ATTITUDE)

Transcribed by Anti-Idiot
	

Words and Music by Suicidal Tendencies

Gtr I (Eb Ab Db Gb) - 'Tom Araya'

 Intro
  Q=250
 2/4    4/4
  Gtr I
  W      E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E H
|------|-----------------|-----------------|-----------------|---------------|
|------|-----------------|-----------------|-----------------|---------------|
|------|-2h3-------------|-2h3-------------|-2h3-------------|-2h3-----3\----|
|------|-----0-0-0-0-0-0-|-----0-0-0-0-0-0-|-----0-0-0-0-0-0-|-----0-0-------|


   Verse 1                    Chorus
   2/4
    E E E E   E E +Q    4x     E E E E   E E E E   E E E E   E E E E
||----------|-----------||-||----------|---------|---------|-----------||
||o---------|----------o||-||o---------|---------|---------|----------o||
||o-2-3-3---|-0-1-(1)--o||-||o-3-3-3-3-|-5-5-5-5-|-6-6-6-6-|-8-8-8-8--o||
||--------3-|-----------||-||----------|---------|---------|-----------||


   Verse 2                Interlude
    E E E E   E E +Q    4x h      Wx3
||----------|-----------||------|--------|
||o---------|----------o||------|--------|
||o-2-3-3---|-0-1-(1)--o||-3----|--------|
||--------3-|-----------||------|--------|


   Verse 3                    Chorus
   2/4
    E E E E   E E +Q    4x     E E E E   E E E E   E E E E   E E E E
||----------|-----------||-||----------|---------|---------|-----------||
||o---------|----------o||-||o---------|---------|---------|----------o||
||o-2-3-3---|-0-1-(1)--o||-||o-3-3-3-3-|-5-5-5-5-|-6-6-6-6-|-8-8-8-8--o||
||--------3-|-----------||-||----------|---------|---------|-----------||


   Verse 4                Interlude
    E E E E   E E +Q    4x h      Wx3
||----------|-----------||------|--------|
||o---------|----------o||------|--------|
||o-2-3-3---|-0-1-(1)--o||-3----|--------|
||--------3-|-----------||------|--------|


   Scream                     Chorus
    E E E E   E E +Q    4x     E E E E   E E E E   E E E E   E E E E
||----------|-----------||-||----------|---------|---------|----------||
||o---------|----------o||-||o---------|---------|---------|---------o||
||o-2-3-3---|-0-1-(1)--o||-||o-3-3-3-3-|-5-5-5-5-|-6-6-6-6-|-8-8-8-8-o||
||--------3-|-----------||-||----------|---------|---------|----------||


   Verse 5                Interlude
    E E E E   E E +Q    4x h      Wx3
||----------|-----------||------|--------|
||o---------|----------o||------|--------|
||o-2-3-3---|-0-1-(1)--o||-3----|--------|
||--------3-|-----------||------|--------|


 Outro
 4/4
  E E E E E E E E   E E E E E E E E   E E E E E E E E   Q  Q  H
|-----------------|-----------------|-----------------|------------*|
|-----------------|-----------------|-----------------|------------*|
|-2h3-------------|-2h3-------------|-2h3-------------|-3----------*|
|-----0-0-0-0-0-0-|-----0-0-0-0-0-0-|-----0-0-0-0-0-0-|------------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths